A Guide to the Letters from Henry Miller to Tom Brumbaugh, 1943, 1947
A Collection in
the Clifton Waller Barrett Library
The Special Collections Department
Accession Number 7022-m
![[logo]](http://ead.lib.virginia.edu/vivaead/logos/uva-sc.jpg)
Special Collections Department, University of Virginia Library
Albert and Shirley Small Special Collections LibraryUniversity of Virginia
Charlottesville, Virginia 22904-4110
USA
Phone: (434) 243-1776
Fax: (434) 924-4968
Reference Request Form: https://small.lib.virginia.edu/reference-request/
URL: http://small.library.virginia.edu/
© 2002 By the Rector and Visitors of the University of Virginia. All rights reserved.
Funding: Web version of the finding aid funded in part by a grant from the National Endowment for the Humanities.
Processed by: Sharon Defibaugh, April 9, 1998 Special Collections Department
Administrative Information
Access Restrictions
There are no restrictions.
Use Restrictions
See the University of Virginia Library’s use policy.
Preferred Citation
Letters from Henry Miller
to Tom Brumbaugh, Accession #
7022-m, Special Collections Dept., University of Virginia
Library, Charlottesville, Va.
Acquisition Information
This item purchased from Swann Galleries of New York, New York on November 28, 1997.
Scope and Content Information
Henry Miller
sends a letter, 1943 November 29, to Tom
Brumbaugh as an example of his handwriting for Brumbaugh's
collection, commenting that he does not want to be placed
beside an American except Walt Whitman and asking if Brumbaugh
is interested in graphology.
On August 27, 1948, Miller sends Brumbaugh a mimeographed copy of a 1947 prospectus for his book "Into the night life."
Contents List
Henry Miller
, Los Angeles, sends this letter to Tom
Brumbaugh, Denver, Colorado, as an example of Miller's
handwriting for Brumbaugh to put in his collection and
asks to be placed in the album near Fyodor Dostoyevsky,
Arthur Rimbaud, or Louis-Ferdinand Celine, "Not beside
an American! (Unless Walt Whitman.)" Miller says he
understands the joy given by such a collection, "I have
looked with tears in my eyes at the script (under glass)
of Hugo, Balzac and others in France. Are you interested
at all in the science of graphology? What is it
precisely that appeals to you in these items? The
marvelous thing would be to know when and where, under
what precise circumstances, these pages were
written."