A Guide to the Rosenthal Medieval Manuscript Collection, ca. 1400 - 1767
A Collection in
The Special Collections Department
Accession Number 9772-a
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Processed by: Special Collections Department
Administrative Information
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Preferred Citation
Rosenthal Medieval Manuscript Collection, Accession # 9772-a, Special Collections Dept., University of Virginia Library, Charlottesville, Va.
Acquisition Information
This collection was purchased from Bernard M. Rosenthal, San Francisco, CA, on January 14, 1972.
Scope and Content Information
The Rosenthal Medieval Manuscript Collection was assembled by Bernard M. Rosenthal to serve as examples of the development of Latin script from the ninth to the sixteenth century. In describing the collection, Mr. Rosenthal wrote:
"The collection is primarily a tool, a laboratory, for teaching medieval Latin paleography and codicology. The range is such, however, that it can be used in other disciplines: the musicologist will find a good representation of medieval musical notation, the classicist can illustrate techniques of text identification and critical text editing, [and] the number of legal documents if sufficient for acquiring the basic skills of diplomatics.
"Practically all Western scripts are represented: Carolingian minuscules, Gothic minuscules, various types of bⴡrde, cursives, the Italian round Gothic and "littera bononiensis," the humanistic minuscule and cursive, and the legal hands ranging from the neat deeds of the Bologna notaries to the "illegible" common law hands of 17th-century England. The countries of origin are Italy, Spain, France, Germany, and England.
"Most leaves are vellum, but some of the later ones are paper; sizes range from small 8vo to large folio. The state of preservation varies: many of the leaves have at one time served as covers of archival bundles or book-bindings and now show corresponding traces of use: fading, stains, cut edges, remains of glue, pen-and-ink scrawls, etc. Other leaves are in perfect condition. In all cases, even when the specimen consists of only a fragment of a leaf, there is enough text to establish the characteristics of the script. The variable quality of preservation and the fragmentary nature of the material reflect the reality which confronts the scholar working with medieval primary sources."
Contents List
Probably Flemish. Unidentified ecclesiastical text. (Missale?) This script is also called Textualis Gothica formata. 2 specimens.
Flemish Book of Hours. Double leaf, the second one blank but ruled.
France. From a calendar (November / December). A characteristic late French Gothic batarde minuscule.
England.
Italy. Cicero, De amicitia. Double leaf.
Paris. Two characteristic leaves, printed on vellum, from a Livre d'Heures. Unidentified but probably Paris, ca. 1500. The initials are entered by hand, the surrounding decoration is metal-cut.
Paris: Hardouyn. The use of this Roman type was rather unusual for Livres d'Heures. This one, too, is printed on vellum and has the initials filled in by hand.
Germany. Unidentified printed fragment, on vellum, which at first sight could be taken for a manuscript.
Italy? From a service book. Antoher example of Gothica Textualis formata.
Germany? Lectionary? Note the resemblance to printing type of the same period.
Liturgical text. Humanistic influence is evident in the script.
Italy. Liturgical text. Humanistic influence is stronger in this script than in the preceding one.
Italy? Pontificale (Benedictio cevrei Paschalis). The script is very difficult to date and could be earlier. Note the use of ... above abbreviated words.
Italy. Breviary? Double leaf.
France. Livres d'Heures, in French. Very characteristic for the standard type of prayer book as oposed to the deluxe illuminated kind.
Probably Germany. Commune sanctorum (from a Breviary?). Double leaf.
Lowlands? Prayer Book. Double leaf.
Italy? Sermon on old age. On paper. There is little, if any, humanistic influence on this script.
Probably Poland. Two calendar leaves, containing numerous names and obits. The calendar leaves are 15th century; the entries are from the 15th century to about 1575. The names all point to Poland as the place of origin. The scripts range from an accomplished Gothic minuscule to a hasty cursive.
Italy. Unidentified mathematical text on paper.
Italy. Two paper leaves from a scientific manuscript: wind rise and astronomical diagrams.
Italy. Unidentified schema, apparently related to commercial topics.
Germany. Latin grammar, 6 leaves. A characteristic, neatly written German cursive. Probably the grammar was written by a student for his own use.
Rome. Part of the seal box intact.
Italy. Inventory ... mostly clothes and household articles ... hastily drawn up by a notary, probably for probate.
Siena. Papal bull addressed to the abbot of the Benedictine monastery of Scalocchio, Città di Castello. Issued by Pope Eugene IV while at Siena. Without the seal.
England. Missale. Double leaf. A traditional English liturgical hand, based on 13th-century models.
Italy. Unidentified Roman history (the Civil War). Double leaf, with mirror offset of the incunable it served as binding. The script is a cursive textualis.
Italy. Classical poem. The leaf clearly illustrates the influence of the humanistic hand on type design.
Germany. Missale (Kanon), printed on vellum. Unidentified edition, ca. 1500. A striking example of the influence of gothic script on early type design.
Italy. Antiphonale, with music on 4-line staves. Note the intricate penwork in the initial F.
Nuremberg: Koberger. A leaf (fol. 282) from the famed Schedel chronicle (Goff S-307).
France. Unidentified edition of an Antiphonale, printed on vellum, the music on 5-line staves. With anthropomorphic initials. A striking example of the survival of much earlier models. Double leaf.
Italy. Missale, with neumes. Double leaf.
Germany. Missale? Printed on vellum; the similarity to contemporary manuscripts is enhanced by some of the red initials; printed or manuscript? Double leaf.
Italy. Epistola in evengelistis. The script, though basically Gothic, shows marked humanistic influence.
Ferrara. Legal contract involving one "Dominus Raynaldus de Ariostis" -- perhaps an ancestor of the poet. Very characteristic script used in this type of transaction; date unfortunately cut off.
France. XX. Comment le roy doit estir doctible en persuasion (Du regimes des princes?). Text in French. A highly developed and elegant batarde.
In French.
In French.
In French.
Padova. Note that the script is very close to Cancelleresca.
Nice (S. France).
Prato (Italy).
Barcelona. This item is also available on microfilm reel M-205.
England. With seal intact.
With seal intact.
England.
Westminster.
Italy (Siena). Very long legal document detailing the purchase of several pieces of land. Three pieces of vellum pasted together.
Bologna. Four-page legal document; very characteristic notarial cursive.
Spain (Teruel). Legal document, in Spanish. Note the resemblance to French batarde. This item is also available on microfilm reel M-205.
England. This is a series of 11 English notarial documents, in notarial cursive, most of them with one or more seals intact. The documents date from the reign of Henry V to that of Edward IV.
France (Paris). Legal document, in French.
France (Paris). Legal document, in French.
Castelnuovo, near Fermo. Last will of one Vanni Pucciarelli. With some (later) endorsements. Drawn up buy the imperial notary "Magister Antonellus."