A Guide to the Papers of Ernest Hemingway, 1925-1961, n.d.
A Collection in
The Clifton Waller Barrett Library
Special Collections
The University of Virginia Library
Accession Number 6250, etc.
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Preferred Citation
Papers of Ernest Hemingway, 1925-1961, n.d., Accession #6250, etc, Special Collections, University of Virginia Library, Charlottesville, Va.
Acquisition Information
6250: Deposit, March 19, 1960; Gift, April 5, 1991 6250-a: Deposit, April 16, 1960; 6250-b: Purchase, December 11, 1963 6250-c: Deposit, January 21, 1964 6250-d: Archival transfer, May 9, 1966 6250-e: Deposit, September 29, 1971 6250-f: Purchase, December 6, 1972 6250-g: Purchase, December 12, 1972 6250-h: Purchase, January 3, 1973 6250-i: Gift, October 9, 1980 6250-j: Gift, February 23, 1984 6250-k: Gift, December 11, 1984 6250-l: Purchase, February 19, 1985 6250-m: Purchase, June 12, 1985 6250-n: Purchase, April 22, 1991 6250-o: Archival transfer, n.d. 6250-p: Purchase, n.d. 6250-q: Purchase, December 17, 1992 6250-r: Archival transfer, February 7, 1997 6250-s: Purchase, April 16, 1996 6250-t: Transfer, June 11, 1997 6250-u: Archival transfer, September 14, 1998 6250-v: Purchase, February 27, 2001 6250-w: Purchase, March 25, 2002 6250-x: Purchase, May 28, 2003 6250-y: Purchase, November 10, 2005 6250-z: Purchase, November 14, 2008 6250-aa: Purchase, November 28, 2008 6250-ab: Purchase, December 22, 2008 6250-ac: Purchase, April 7, 2010 6250-ad: Purchase, March 7, 2011 10247: Deposit for copying by Museum of Ogunquit, Ogunquit, ME,1977 October 13
Biographical/Historical Information
Ernest Hemingway (July 21, 1899-July 2, 1961)was an American novelist, short-story writer and journalist. His distinctive writing style is characterized by economy and understatement and had a significant influence on the development of twentieth century fiction. Hemingway's stoic protagonists are often seen as projections of his own character- men who must show grace under pressure. Many of his works are considered classics in the canon of American literature.
Hemingway, nicknamed "Papa," was part of the 1920s expatriate community in Paris, as described in his memoir A Moveable Feast , and was known as part of "the Lost Generation," a name he popularized. He led a turbulent social life, was married four times, and allegedly had various romantic relationships during his lifetime. Hemingway received the Pulitzer Prize in 1953 for The Old Man and the Sea . He received the Nobel Prize in Literature in 1954. In 1961, at age 61, he committed suicide in Idaho.
Scope and Content
The collection contains manuscripts of essays, poems, and short stories including "The Dangerous Summer"; a clean carbon of Green Hills of Africa typed by Jane Armstrong; and galley proofs of The Old Man and the Sea , A Farewell to Arms , and "Death in the Afternoon. "
The collection Also contains the manuscript of a dramatization of "The Snows of Kilimanjaro "; the manuscript of Peter Viertel's screenplay of The Sun Also Rises with Hemingway's extensive autograph corrections, together with the mimeographed first draft and final script; the transcript of an interview with students in Hailey, Idaho; and page proofs of the original version of "Papa Hemingway. "
In letters to Ernest Walsh and Ethel Moorhead, Hemingway chiefly discusses publication of "The Undefeated " including printing problems with "This Quarter. " He Also discusses writing The Sun Also Rises, "The Fall of Herriot's Government " a "Tyrolean Walking Tour, " and mentions Sylvia Beach, H. L. Mencken, Robert McAlmon, Ezra Pound, Gertrude Stein, and the current French and Italian governments.
Correspondence with Horace Liveright discusses the publication of "In our time, "including the replacement of a censorable story, sales potential and possibility of favorable reviews. Letters Also discuss "The torrents of spring " and its satirization of Sherwood Anderson, and mention James Joyce's Finnegan's Wake , an appearance in an anthology, F. Scott Fitzgerald, Louis Bromfield, and Ralph Barton.
Correspondence between Ralph Ingersoll and Joseph Losey discusses a production of "The fifth column. "
Letters to A. E. Hotchner discuss work for Cosmopolitan magazine, Italy after World War II, fishing, hunting, bull-fighting and travels in Spain, " Across the River and into the Trees, "The Old Man and the Sea , Hotchner's adaptations of Hemingway's work for the theater, and the writing of and events and people in "The dangerous summer " including matadors Antonio Ordez and Luis Miguel Domingun?. There are comments on Ingrid Bergman, Malcolm Cowley, Robert Flaherty, Joe Di Maggio and baseball, Ava Gardner, John O'Hara, Ted Patrick, Eric Sevareid, Gary Cooper, Valerie Danby-Smith, Alfred Rice, cock-fighting, sailing, the 1948 election, Korean War, Cuban revolution, Peter Buckley's "Bullfight, " business arrangements, health and sobriety, and family.
Several letters from Mary Hemingway to Hotchner discuss Hemingway's health and writing as well as her own writing. Individual letters mention hunting in Idaho, Leonard Bernstein, the Cuban revolution, bull fighting and "Death in the Afternoon. "
Letters to Bronisaw Zieliksi discuss shooting in Idaho, royalties to establish a prize in Poland, health, the Cuban Revolution, short story "Cross Roads, " love of Spain, translations and Zieliksi's PEN prize.
Correspondence with Jane and Richard Armstrong concerns the typing of Green Hills of Africa. The letters Also mention John and Katy Dos Passos, Max Perkins, requested photographs of Carlos Gutirrez rigging baits, work on Cuba, H. L. Woodward, and response of old timers in Kenya to "Green Hills. "
Additional letters discuss James Joyce, life in Paris, discrepancies between views of critics and readers, bullfighters, being struck by lightning, John Hemingway's World War II service, and editorial decisions about Farewell to Arms. He Also responds to collectors, and lists the best three books of 1932. People mentioned include Sidney Franklin, Samuel Goldwyn, and Archibald MacLeish.
Additional correspondents include Merle Armitage, Campbell Becket, Robert Bridges, Marlene Dietrich, Herbert Gorman, Gregory H. Hemingway, Patrick Hemingway, R. W. Stallman, Frank Stanton, Charles B. Strauss, and Ernest Walsh.
The collection Also contains contracts; recordings of readings by Hemingway; a water-color portrait of Hemingway; photographs of Hemingway, Mary Hemingway and bullfights, including nine by by Robert Capa, and miscellaneous photographs from magazines; and a record album "A portrait in sound of Ernest Hemingway. "
Arrangement
The Papers of Ernest Hemingway are arranged in five series. Series I: Literary Manuscripts, is arranged alphabetically by title. Series II: Correspondence is arranged alphabetically by correspondent's surname and sub-arranged chronologically. Series III: Miscellaneous Manuscripts and Series IV: Photographs, Slides and Portraits are arranged chronologically. Series V: Audio and Video Recordings.
Contents List
- Box-folder 1:1
"Across the Board, " by Ernest Hemingway n.d.TMs carbon copy, 1 p. on 1 l.
6250-f
- Box-folder 1:2
"The Art of the Short Story, " by Ernest Hemingway 1959 JuneTMs negative photocopy, 13 pp. on 13 l.
6250-f
- Box-folder 1:3
"Black Ass at the Cross Roads, " by Ernest Hemingway n.d.TMs positive photocopy, 26 pp. on 26 l.
6250-f
- Box-folder 1:4
"The Bubble Illusion, " by Ernest Hemingway n.d.TMs positive photocopy, 12 pp. on 12 l.
6250-f
- Box-folder 1:5
"Country Poem with Little Country, " by Ernest Hemingway [1949 December 22]TMs carbon copy, 1 p. on 1 l.
6250-f
- Box-folder 1:6
The Dangerous Summer , by Ernest Hemingway [1960]TMs carbon with autograph corrections, pp. 1-100.
6250-f
- Box-folder 1:7
The Dangerous Summer , by Ernest Hemingway [1960]TMs carbon with autograph corrections, pp. 101-200.
6250-f
- Box-folder 1:8
The Dangerous Summer , by Ernest Hemingway [1960]TMs carbon with autograph corrections, pp. 201-300.
6250-f
- Box-folder 1:9
The Dangerous Summer , by Ernest Hemingway [1960]TMs carbon with autograph corrections, pp. 301-400.
6250-f
- Box-folder 1:10
The Dangerous Summer , by Ernest Hemingway [1960]TMs carbon with autograph corrections, pp. 401-500.
6250-f
- Box-folder 1:11
The Dangerous Summer , by Ernest Hemingway [1960]TMs carbon with autograph corrections, pp. 501-600.
6250-f
- Box-folder 1:12
The Dangerous Summer , by Ernest Hemingway [1960]TMs carbon with autograph corrections, pp. 601-699.
6250-f
- Box-folder 1:13
The Dangerous Summer , by Ernest Hemingway n.d.AMs, 1 p. on 1 l.
6250-f
- Box-folder 1:14
The Dangerous Summer , notes by Ernest Hemingway [1960]ANs, 30 pp. on 30 l. with envelope.
6250-f
- Box-folder 1:15
The Dangerous Summer , background notes"> 1960 August 15-16TMs, 8 pp. on 8 l.
6250-f
- Box-folder 1:16
"First Poem to Mary in London " and "Poem to Mary (second poem), " by Ernest Hemingway n.d.TMs negative photostat, 10 pp. on 10 l.
Includes one paragraph letter to Mary [Hemingway] at conclusion of poem, with location and date ("Ritz Hotel, Paris September, 1944") scratched through. 6250-f
- Box-folder 1:17
The Green Hills of Africa , by Ernest Hemingway n.d.AMs, ca. 491 pp.
Holograph pages in ink and pencil, representing the text before transcription to typescript. There is no page 78 in the manuscript. This was a numbering mistake on Hemingway's part. The typing job was done by Jane Armstrong (wife of the journalist-photographer Richard Armstrong) in Cuba, as Hemingway explains in his letter fragment to [Charles Scribner] that accompanies the manuscript, attesting to its authenticity. He says he wanted to give Jane Armstrong something that would be worth money someday as thanks for help; hence, her possession of the manuscript. He urges Scribner's to pay Mrs. Armstrong's daughter (who is offering the manuscript for sale) "all you can for it to take your percentage" on resale. SEE SLIPCASE 6250-a
- Box-folder 1:18
The Green Hills of Africa , by Ernest Hemingway n.d.TMs, ca. 323 pp.
There are many differences between this typescript and what finally appeared in the published version. And the changes are throughout. Generally Hemingway was much less temperate in his language. As an example, he is more scathing and more detailed in his attacks on Gertrude Stein.
Jane Armstrong used two different typewriters during her typing of the book. One of the typefaces is pica, ten characters to the inch, and the other is a unique, larger type, about nine characters to the inch. SEE SLIPCASE 6250-s
- Box-folder 1:19
"The Littlest Present, " by Ernest Hemingway 1957 July 21TMs, 1 p. on 1 l.
6250-f
- Box-folder 1:20
The Old Man and the Sea , by Ernest Hemingway 1952Advanced uncorrected galley proofs, 17 pp. on 17 l.
For the first publication of this work in Life magazine. OS tray 124. 6250-o
- Box-folder 2:1
Papa Hemingway , by A. E. Hotchner"> 1966TMsS, 1 volume.
6250-f
- Box-folder 2:2
"A Room on the Garden Side, " by Ernest Hemingway n.d.TMs positive photostat, 11 pp. on 11 l.
6250-f
- Box-folder 2:3
The Sea Chase , by Ernest Hemingway n.d.TMs photocopy, pp. 1 - 104.
Unpublished manuscript. 6250-f
- Box-folder 2:4
The Sea Chase , by Ernest Hemingway> n.d.TMs photocopy, pp. 105 - 218.
Unpublished manuscript. 6250-f
- Box-folder 2:5
"The Shot, " by Ernest Hemingway [1955]TMsS, 8 pp. on 8 l.
6250-f
- Box-folder 2:6
"The Snows of Kilimanjaro, "screenplay by Ernest Hemingway 1955 July 5TMs with signed autograph corrections, 30 pp. on 30 l.
6250-f
- Box-folder 2:7
The Sun Also Rises , by Ernest Hemingway n.d.TMs with autograph corrections, 326 pp.
After The Sun Also Rises was set in galley proofs at Scribner's, F. Scott Fitzgerald read a carbon copy and suggested that the first two chapters be omitted and that the novel begin with the opening of chapter three, when Jake Barnes meets the prostitute Georgette. Hemingway took Fitzgerald's advice partially and deleted most of the first two chapters, about 3,500 words beginning with the introduction of Robert Cohn. After the deletion, Hemingway tried several times to insert a beginning that explained the disappearance of the opening material. He eventually abandoned this effort because "by referring to the cut chapters it merely capsulizes the faults of those chapters." After the very late revision suggested by Fitzgerald, the novel was published October 1926 as it stands today. This is the printer's setting copy of The Sun Also Rises which, in the original state, contained the two opening chapters excised after the book was already in galleys. This typescript, which had been in the Louis H. Cohn Collection, was presented to the University of Virginia Library in March 1977 by Mrs. Louis H. Cohn as a memorial to her late husband. SEE SLIPCASE 10208,10209
- Box-folder 2:8
The Sun Also Rises , by Ernest Hemingway: transcript of Chapter 1 by Stephen Railton"> 2001TMs, 10 pp. on 10 l. with computer disk.
10208-a
- Box-folder 2:9
"The Sun Also Rises, " screenplay (first draft) by Peter Viertel"> 1956 June 8TMs, 157 pp.
6250-p
- Box-folder 2:10
"The Sun Also Rises, " screenplay by Peter Viertel"> 1956 June 25TMs with autograph corrections, 141 pp.
SEE SLIPCASE 6250-q
- Box-folder 2:11
"The Sun Also Rises, " screenplay (final draft) by Peter Viertel"> 1957 February 20143 pp.
6250-p
- Box-folder 2:12
"There was a cat... "by Ernest Hemingway n.d.TMs carbon, 1 p. on 1 l.
6250-f
- Box-folder 3:1
Ernest Hemingway to [Burt?] MacBride, 1934 June 29ALS, 1 p.
Hemingway is working on a "long thing" and "would not be able to get to stories for a while." He is also committed to pieces for Esquire but hopes will have something for him in the future. In top left corner margin is written "HPB + pls return for file BM." In top right corner margin is written "BM can't we get a 1st look? Important B" 6250-aa
- Box-folder 3:1A
[Jane Armstrong] to Ernest [Hemingway], [1935?] January 4TL, 1 p. on 1 l.
Armstrong apologizes for not editing Hemingway's manuscript as too many things distracted her. The Dos Passos' are visiting. 6250-s
- Box-folder 3:2
[Jane and Richard Armstrong] to Ernest [Hemingway], [1935?] January 11TL, 1 p. on 1 l.
Returns the manuscript they were editing to Hemingway, and give praise to the work: "it was a great experience: watching it unfold, the vibrant Africa I knew it must be, the country you're homesick for though you've never seen." 6250-s
- Box-folder 3:3
Jane P. Armstrong to Ernest Hemingway, 1945 April 5TL, 1 p. on 1 l.
Compares the images of Africa which she has seen first hand to the images from Hemingway's book [ The Green Hills of Africa ]. Only six months into a two-year term in Kenya and does not know what is happening in the world. 6250-s
- Box-folder 3:4
[Louis H.?] Cohn to C[lifton] W[aller] Barrett, [1960] July 4APCS, 1 item.
A photograph of Mount Kilimanjaro on front of postcard that Cohn thought Barrett would like to add to Hemingway collection. 6250-b
- Box-folder 3:5
[Valerie] Danby-Smith to [Robert A.] Wilson, 1960 March 19TLS, 1 p. on 1 l. with envelope.
Thanks for letter. Hemingway will sign Wilson's books next time he is in New York. 6250-d
- Box-folder 3:6
Phyllis Danielson to David A. Randall, 1947 July 25TLS photocopy, 1 p. on 1 l. with envelope.
Asks Randall that when he sells the Hemingway manuscript to deposit check under the name of Jane P. Armstrong and send it to her in the American Consulate in New Zealand. Original letter and envelope in autograph manuscript of The Green Hills of Africa. 6250-a
- Box-folder 3:7
Ernest [Hemingway] to Ernest [Walsh], [1925] March 27TLS, 2 pp. on 1 l.
Enclosed is a big bullfight story [ "The Undefeated "]. It was turned down by every reputable and disreputable magazine in the States. Wrote his guts out. Hopes he will like it. Tried to get quality of the In Our Time action into a long story. Sent proofs. Write regarding delay in getting proofs. 6250-a
- Box-folder 3:8
Ernest [Hemingway] to Ernest [Walsh], [1925 March 31]ALS, 1 p. on 1 l.
All proofs sent to him. Will send copy of cover as soon as available. Tells reasons for delay at Clark"s: water cut off which caused printing problems for This Quarter. 6250-a
- Box-folder 3:9
Ernest Hemingway to Horace Liveright, 1925 March 31TL copy, 2 pp. on 1 l.
Enclosed signed contract, and new story to replace the one he is eliminating as censorable. Stipulates no alterations of words are to be made without his approval. Good news that it is no longer necessary to eliminate "the fine old word 'son of a bitch.'" Thinks book has a good gambling chance to sell. Classic examples of really fine book that could not sell: E. E. Cummings' The Enormous Room. Hemingway's book will be praised by highbrows and can be read by lowbrows. Has a good 3/1 chance. The new story makes a better book: it's almost the best he's ever written. He is eliminating the second story, "Up in Michigan, " the next three move up one place and the new story, "The Battler, " takes place of "The Three Day Blow. " Pleased to be published by Boni & Liveright. Hopes he will become a property. 6250
- Box-folder 3:10
Ernest [Hemingway] to "Ernesto della Walsha "[Ernest Walsh], [ca. 1925 March]TLS, 3 pp. on 2 l.
Forgot to mention Gertrude Stein's stuff. Thinks it is splendid. Complains about slow printing of This Quarter by Clarke. Suggests Bill Smith be hired to expedite business of publication, so he can be relieved of job. Hasn't written a thing since going down to Clarke's and has to get to work on his own book. He is miserable and ugly if not creating. Concludes letter with note to [Ethel] Moorhead, thanking her for check that will pay rent, buy groceries, etc. Glad she thinks it a great story. 6250-a
- Box-folder 3:11
Ernest [Hemingway] to Ernest [Walsh], [1925?] April 1ALS, 6 pp. on 3 l.
Went to Clarke with corrected proofs of [ This Quarter ]. Gives details of changes to be made. Criticizes Walsh's statement that Ezra Pound was a bad judge of wine, food and women, but a good judge of furniture, boys and sculpture. Sounds as if Ezra were a "bugger." Afraid people will get the wrong idea. Change to "young poets or artists"? Asks Walsh questions on how to set up publication, and other business details. 6250-a
- Box-folder 3:12
Ernest [Hemingway] to Ernest [Walsh], [1925 April 10]TLS, 1 p. on 1 l.
Review [ This Quarter ] is on press and being printed. Spine reads "Spring, " not "April. " Better as a quarterly. Clarke's press broken; 250 pages too big for his equipment. Says [Êdouard] Herriot government [of France] having "a hell of a time." Expected to fall Wednesday but no government ever did anything on time. 6250-a
- Box-folder 3:13
Ernest [Hemingway] to Ernest [Walsh], [1925 April 12]TLS, 2 pp. on 1 l.
[ This Quarter ] well into printing. Going to be a damned fine review. Nothing can stop it except rats eating rollers. Will have by April 23. Government fell as expected, but franc stays up. 6250-a
- Box-folder 3:14
Ernest [Hemingway] to Ernest [Walsh], 1925 April 19ALS, 4 pp. on 2 l.
Mrs. Moorhead gave them a couple of bottles of damned fine wine. Walsh seems suspicious that Hemingway is inventing ways to do him out of money. He has strong idea people are out to cheat him. Many are, but many more are not. Give's [Ezra] Pound's address. English publisher will submit plans and terms for distributing quarterly [ This Quarter ] in England. Clark had another breakdown. Note to Moorhead regarding paying someone to do work on magazine that Hemingway was doing for nothing. Verso of p.2 contains autograph memo, n.d., by Ethel Moorhead. 6250-a
- Box-folder 3:15
Ernest Hemingway to Horace Liveright, 1925 May 11TL copy, 1 p. on 1 l.
Mailed registered letter with signed contract and new story to replace story he was eliminating from In Our Time as censorable. There has been no acknowledgement or promised check. Would like note confirming that translations of his books are his property. 6250-a
- Box-folder 3:16
Ernest Hemingway to [Horace] Liveright, 1925 June 21TL copy, 1 p. on 1 l.
On anthology question, has referred permission to use two stories directly to Horace Liveright. Might help book to reprint stories. Leaving next week for Spain. Meeting Benchley there. Says he can grab off authors as fast as he can get them tight. He doesn't care about being published in anthology. All he wants is to have stuff published and be paid for it. 6250-a
- Box-folder 3:17
Ernest [Hemingway] to Ernest [Walsh], [1925 June 25]ALS, 1 p. on 1 l. mounted.
[James] Joyce asked him when he should send his manuscript [new section of Finnegan's Wake ] for This Quarter. Write Joyce care of Shakespeare and Company Bookstore. 6250-a
- Box-folder 3:18
Ernest [Hemingway] to Ernest [Walsh], [ca. 1925 August]TLS, 2 pp. on 2 l.
Won't be a Spanish letter as working all the time on novel [ The Sun Also Rises ]. 68,000 words done. Going to be a swell novel with no autobiography and no complaints. In Our Time comes out the last of September with Boni & Liveright. May see him in Milan as he and Hadley going on walking tour through Tyrol and the Dolomites, and they may hop a train to see if Campari's can still put out a meal. Ready for a loaf when he gets book done. "Christ, how I've worked." Will put it away and not look at it until after Christmas, when he'll go over it, cut and fix it up and type it himself. Sending two photographs. Italians are worse crooks than the French, but the Milanese are the best of the Italians. Can't live in Italy because the political situation makes him so furious that he is upset and in trouble all the time. Discusses the murders of Matteoli. Promised himself he would not go to Italy again as long as the Fascists are in power. Discouraging to think that the country that produced Garibaldi should be ruled by that gang. As soon as Italy became a united nation it was finished. Poor old Cavour. 6250-a
- Box-folder 3:19
Ernest [Hemingway] to Ernest [Walsh], 1925 November 8TLS, 1 p. on 1 l.
Sylvia Beach said Walsh wanted him to autograph In Our Time for him. He did so, but has not grace to do it properly. Had copies but all stolen or given away. Will try to find original Three Mountains edition for him. Just finished long fight story [ "Fifty Grand "] that is damned good. They are about broke. Liveright book is getting splendid reviews. Mencken reviewed Three Mountains under "quackery" to confuse purchasers and do him as much damage as possible. Asks for proof of "Undefeated. " Had capable translation of "Soldier's Home "from Linati. Hemingway places great value on honest appreciation and only disgust from "bullshit." 6250-a
- Box-folder 3:20
Ernest [Hemingway] to [Ethel] Moorhead and Ernest [Walsh], [1925] November 30TLS, 1 p. on 1 l.
Returning corrected proof for "The Undefeated. " Four changes. Not just being like Joyce, wanting to rewrite story every time proof is sent. Going to Austria December 15. 6250-a
- Box-folder 3:21
Ernest Hemingway to [Horace] Liveright, 1925 December 7TL copy, 2 pp. on 1 l.
Sending on the Mauretania manuscript of his new book, The Torrents of Spring. F. Scott Fitzgerald read and is very excited about it. This is not the long novel which he is calling The Sun Also Rises , which he is rewriting and working on all winter. Compares [ The Torrents of Spring ] to Fielding and Richardson. Bromfield read and said it was one of the funniest books he has ever read, and a very perfect American satire. Wishes he would get Ralph Barton to illustrate it. If he takes it, he has to push it. Has made no kick regarding lack of publicity for In Our Time. It should come out in the spring. Only reason he wouldn't publish it is for fear of offending Sherwood [Anderson]. If he takes book, wants $500 advance. Should ask for $1,000 as he can sell 20,000 copies. Funny books not to easy to get hold of. Those who have read "Black Laughter " will purchase. Cable him in Austria his decision on The Torrents of Spring. 6250-a
- Box-folder 3:22
[Ernest Hemingway] to "Dear Editors,""> [early 1925?]AL fragment, 1 p. on 1 l.
Didn't know how they stood on money. He is not a rich man. They live on $1,000 a month. Gave up newspaper work at $125 to have freedom to write. He writes slowly, with difficulty, and his head must be clean to do it. Last year he made 1,1000 francs writing. Nothing in dollars. 6250-a
- Box-folder 3:23
Ernest [Hemingway] to Ernest [Walsh], [1926?] February 1ALS, 2 pp. on 2 l. with envelope.
Hopes nothing bad has happened to him and that he was just in an Irish black mood. Proud he wrote "The Undefeated. " Will be in New York in one week. Really fond of [Robert] McAlman. Don't let any of them die of disease, but the more he thinks of it, any form of dying can be made pretty swell. He looks forward to it, but wants to be at least 85 when it happens. Life is pretty swell. 6250-a
- Box-folder 3:24
Ernest Hemingway to [Herbert] Gorman, [1926 April 4]ALS, 2 pp. on 2 l.
Glad to get letter. Went to Bill Baird of the Three Mountain Press who promised to send him copy of The Cantos. Finished re-writing The Sun Also Rises , and having swell time in town. Has box for all week at 6-day bicycle race. Took all next month's rent and food money to buy it. Can sell extra four seats if he wants to. Scribner sent him proofs of satire. Hopes he will let him have one of the books of poems. Has seen no literary gents, but sees by clippings they are constant attendees at literary teas, i.e. Bercovici, Bromfield, Wharton, Seldes, etc. to write the local color stories. Will be in Spain middle of May on. He has got mixed up in making some bullfight films for South American and European consumption. Will get his bullfights free. Got tight when leaving New York. Paris is very exciting. Urges [Gorman] to come over. He is grown up and restful after New York. 6250-c
- Box-folder 3:25
Ernest Hemingway to [Georgia] Lingafelt, 1927 October 3TLS, 1 p. on 1 l. with envelope.
His books have been Three Stories and Ten Poems (1923), In Our Time (1924) The Torrents of Spring (1926) The Sun Also Rises (1926), and Men Without Women (1927). If she ever gets any rare editions, he would appreciate hearing about it. If they became valuable, he might have something to leave his children. Lists number of copies printed and publishers. 6250-c
- Box-folder 3:26
Ernest Hemingway to [Charles T.] Scott, 1929 January 23ALS, 2 pp. on 1 l. with 2 typed transcripts.
Remembers receiving other photograph, autographing and sending it back. Pleased to sign this one. Just finished long novel that he has been working on since last February, which is out next fall. Perhaps appearing as serial in Scribner's meantime. Includes signed photograph of Ernest Hemingway: "To Charles Thomas Scott with all best wishes..." See Photographs for original. 6250-c
- Box-folder 3:27
Ernest Hemingway to Mr. Bridges, 1929 March 11ALS, 3 pp. on 2 l.
Sailing for Havana to Boulogne. Will be in Paris April 22. Returning the proofs with two omissions, which are necessary. Hemingway worked hard on the passages and has gone over and over it "in order that it might be printed without in anyway giving offense." Wishes that in the future cuts of the passages could be suggested on the proof and not on the manuscript. 6250-r
- Box-folder 3:28
Ernest Hemingway to Mr. Gud, 1929 October 28ALS, 1 p. on 1 l.
No plans for writing any differently, except always to try and write better. As for immortality, that's something we have to die to find out about. But [James] Joyce, for Dubliners and the end of Ulysses , is surest bet for it of anyone living. People writing as well as they can don't change their way of writing any easier than they can change their skins. 6250-a
- Box-folder 3:29
Ernest Hemingway to [Paul] Romaine, 1932 January 15ALS, 1 p. on 1 l. with envelope.
He may reprint his poem. $10 - $15 would be all right for reprinting. Not in favor of his reprinting the "other Double Dealer piece." Reprinting already published fragments not in his racket. 6250-y
- Box-folder 3:30
Ernest Hemingway to [Samuel] Putnam, [1932] June 9ALS, 2 pp. on 1 l.
Glad to serve on his jury. States the best three books he read in 1932 are 1919 by John Dos Passos, Conquistador by Archibald Macleish, and The American Jitters by Edmund Wilson. 6250-a
- Box-folder 3:30a
Ernest Hemingway to Paul Romaine, 1932 August 9ALS, 4 pp. on 2 l.; with envelope.
Hemingway responds angrily to Romaine's suggestion to stop writing about "Lost Generations and bulls;" he could be jailed for the publication of his political beliefs; Dos Passos and Wilder are not good writers and he has not read Faulkner's "early crap." 6250-ab
- Box-folder 3:31
Ernest Hemingway to M. E. Gilfond, 1934 November 17ALS, 1 p. on 1 l.
Hemingway allows photograph of his house to be used in a postcard. 6250-k
- Box-folder 3:32
Ernest [Hemingway] to [?] Armstrong, 1935 January 10D, 1 item.
Telegram: "Arrived yesterday. Meeting Harrington Saturday." 6250-s
- Box-folder 3:33
Ernest [Hemingway] to Dick and Jane [Armstrong], 1935 February 5TLS, 1 p. on 1 l. with envelope.
Thanks Jane for swell typing job. It was a beautiful job figuring out what the hell Hemingway's holograph meant and he appreciates it. Max Perkins and Dos [John Dos Passos] have read it and like it very much. Hemingway is feeling better about it. Believes Jane likes it because she likes Africa and Dick likes it because he likes to drink. Asks them a favor: would they contact a few people in Cuba to help out with an article he is writing on Cuban marlin fishing? 6250-s
- Box-folder 3:34
Ernest Hemingway to [Charles B.] StraussALS photocopy, 2 pp. on 2 l. with photocopy of envelope;
Doesn't know why Strauss's girl thought Hemingway liked war: "Christ knows I didn't like it for other people." Doesn't understand how people lie about him. "I would rather kill racehorses that I am fond of than lie in a story." Better not to talk and better, in some ways, not to have friends. Can tell what his enemies may do but not his friends. Plans to write stories Strauss will like. Discusses La Condition Humane by Andre Malraux. "Goddamn it takes a while to make a writer." 6250-j
- Box-folder 3:35
Ernest [Hemingway] to [Dick] Armstrong, [1935] December 8TLS, 1 p. on 1 l. with envelope.
Thanks for the letter and the clippings. Has been drinking for two months since he got back from New York. Asks Armstrong for a working press pass. Coming down to see fight and to refresh his memory about Cuba. Pauline sends her best. 6250-s
- Box-folder 3:36
Ernest [Hemingway] to [Ralph MacA. Ingersoll], [1939?] May 20TLS, 1 p. on 1 l. with typed carbon copy.
Not sore at him but wishes he would come down and fish and discuss set-up. Treated Joe Losey squarely. Hoped Losey could raise money and put on show. Option ran out and Hemingway sold Glazer the right to make adaptation subject to certain conditions. They hoped he would permit his name to be used. Only friendly feeling for Mac and Joe. Never prejudiced their interests. He is under no obligation to ask anyone's advice on how he should dispose of his property, and it was neither disloyal nor unfriendly for him not to come to Mac. 6250-a
- Box-folder 3:37
Papa [Ernest Hemingway] to Patrick and Gregory [Hemingway], [1939] July 14TLS, 1 p. on 1 l.
Hemingway relates story of when he was on the phone and lightning struck throwing him nearly ten feet, of which he could not talk for a long time. "That lightning is powerful. Never try to fool with it." Then next day lightning struck again. Good thing he was wearing dry shoes on the tile floor otherwise he wouldn't be around. Gives good news: they are going to the ranch. Gives details about the logistics of trip to ranch. He is now on page 340 of his book, "but it gets longer and longer all the time." 6250-h
- Box-folder 3:38
Ernest [Hemingway] to Cam[pbell Becket], 1945 October 23TLS, 1 p. on 1 l.
Sorry for delayed reply to receipt of notarized papers. Discusses [John H. Hemingway]'s experience in the war, organizing French resistance around Montpellier for the OSS, and his subsequent wounding and capture by the Germans while making a daytime reconnaissance in the Rhone Valley. Working very hard on his new book. Still has a bad headache from the series of concussions he got. He gets his writing done before the headaches start. Did not write Maurice because he is working so hard on the book. 6250-n
- Box-folder 3:39
Ernest [Hemingway] to Ed [Aaron Edward Hotchner], 1948 June 27TLS, 1 p. on 1 l. with envelope.
Discusses stipulations of contract. Asks for length needed, etc. for tear sheets or manuscripts of what their masterminds have written on "The Future of Everything. " Doesn't know a shit about the future of anything, but will write a good, straight people about what he thinks. Tells of the catch of recent fishing trip. He is down to 210 lbs. Averaged a fish every four minutes. Awfully good life if that is what you like, and that is what he likes. Also, no god-damn photographers. 6250-f
- Box-folder 3:40
Ernest [Hemingway] to Ed [Aaron Edward Hotchner], 1948 September 7TLS, 1 p. on 1 l.
Thanks for letter and check. Will try to write the best stories he can. Put off writing due to "general effup" of his attorney and agent, Speiser, etc. 6250-f
- Box-folder 3:41
Ernest [Hemingway] to Ed [Aaron Edward Hotchner], 1949 March 9TLS with autograph postscript, 1 p. on 1 l. with envelope.
Things quiet in Italy as seven years between elections. Italians are a wonderful people. Probably had worst press in the world. Meeting people he fought against and seeing places with more understanding. Wonderful for him. Owes two stories due by end of December or he returns the dough. Wrote one, but too rough for Cosmopolitan. They've published the best stories he has written. Back to Cuba in May. Life piece made him sick. Difference between Life and life. He tries to be a good character, keeps promises, etc. but doesn't think [Malcolm] Cowley knows anything about what people like him are made of. Reading it, he felt as if he were being formed in Cowley's image. Had a nice, private life before, but now feels like somebody had shit in it and left it there. Glad Truman won, but it has gone to what he thinks of as his head. Mary broke her leg skiing. Raves about Bob Flaherty. Small torn fragment from bottom left of letter in envelope. 6250-f
- Box-folder 3:42
Ernest [Hemingway] to Ed [Aaron Edward Hotchner], 1949 June 10TLS, 1 p. on 1 l. with envelope.
In regard to money advance, will carry it against two short stories rather than the novel, but promises novel to him. Doesn't want to take advance on the novel because he doesn't want anyone looking over his shoulder. All is well. Mary recovered from broken leg. His infection on his face is now better. Kids with us for thirty days. After they leave he will settle down and work. Looking forward to seeing each other, and see Bob Flaherty. 6250-f
- Box-folder 3:43
Ernest [Hemingway] to Ed [Aaron Edward Hotchner], 1949 July 8TLS, 2 pp. on 2 l. with envelope.
Glad he liked Holiday piece. Discusses photographers. Mentions Tom Lea's book [ The Brave Bulls ?], and didn't think it was very good. Hemingway is getting sick of the mystique of bravery etc. being piled on and manufactured situations and crap in general. Glad DiMaggio is playing again. Remembers playing baseball as a youth. Loved it more than any other game. Discusses his relationship with the church: "after being married twice out of the church you would think the Jesuits might have given me up as hopeless." Life is very complicated. Anecdote about chaplain in the 4th Infantry Division. His fighting chickens have won 38 out of 42 fights and keep them in the food. Shooting pigeons. Discusses activities of his sons. Read only one Flaherty profile, which made him seem like a little boy reading it. Hotchner picked a good hero: "We all need one, and I think you got the best one." 6250-f
- Box-folder 3:44
Ernest [Hemingway] to Ed [Aaron Edward Hotchner], 1949 August 22TLS with autograph postscript, 2 pp. on 1 l. with envelope.
Glad he is coming down in two weeks. Discusses confusion with his expense account when he worked for Mr. Hearst: "The only item I had turned down was the hire of a Felluca. They thought a Felluca had something to do with Felattio (Also mis-spelled) and that I was either over-extending myself or setting up a personal harem." Discusses John O'Hara's books and criticizes him: "He has a pretty ear but he had the terrible inferiority complex of the half-lace curtain Irish and he never learned that it doesn't matter a fuck where you come from, socially, it is where you go." Wrote him off but happy that he was wrong. Mentions his son, Gigi, who threw a pitch at Hemingway's head during baseball game. Discusses Gigi a lot, and states that he is the only boy that "turned out Indian, not Cherokee, Digger, Pyute, Navajo, or any of those unfortunate peoples but Northern Cheyenne and he has all the problems of them, as I always had, and all the lack of problems that having that blood gives you." Has stopped training his chickens because of moulting. Talks of his fishing and their plans when they are together. 6250-f
- Box-folder 3:45
Ernest [Hemingway] to Ed [Aaron Edward Hotchner], 1949 September 29TL with autograph corrections, 2 pp. on 2 l. with envelope.
Gone completely legal and doesn't like the government, and doesn't want to take any favors from them. Wonderful news regarding fight films on the way down. Mary is with her parents and he is lonely. Discusses his activities and amount he is writing. Out to shoot pigeons. Writing is his true love. Drinking is fun, not a release from something. But he is not a first stone caster. Thinks book will run in three installments, and that it is the best one he has written, although he is prejudiced. No doghouse trouble anymore: "A man should know how to get out of that doghouse or else should turn in his suit." But he loves "Miss Mary, truly." Thanks for $10,000 check, but hasn't cashed it yet. Eleven different hurricanes kicking around. "Must get going now or Miss Mary will tell me that I am not taking life seriously. Some day I might take it seriously and a lot of characters would hang by their necks until dead."Signed by Hemingway's secretary, Miss Nita. 6250-f
- Box-folder 3:46
Ernest [Hemingway] to Ed [Aaron Edward Hotchner], 1949 October 3TLS with autograph postscript, 2 pp. on 2 l. with envelope.
Talks about finishing book [ Across the River and Into the Trees ?]. Will be glad when it's done, but will miss it for a while. Just wrote a "god-damn wonder chapter." Got it all, to break your heart, into two pages. Discusses geographical locations he loves in Western States, such as Red Lodge, Montana or Cody, Wyoming or West Yellowstone or Billings "on a Saturday night" or Casper "where Mary lost our kid." Borrowed 10 G for operation mink coat, for Mary. Went to a circus and saw the lions. Will work the cats in public after the book is done. Would rather work them than do most anything else, if you don't have to use whip, chair, or make theater. Will be introduced as, "An Illustrious domador del norte, now retired from the profession, but who, through his aficion, dedicates this rather special number to the Cuban public." Tells Hotchner it isn't dull where he is. 6250-f
- Box-folder 3:47
"Mister Papa " [Ernest Hemingway] to Ed [Aaron Edward Hotchner], 1949 October 11TL, 2 pp. on 2 l. with envelope.
Thanks for the fight films. Is at 47,474 words today, which interests the shit out of him. Tells Hotchner that there must be an element of surprise with the book, or there is no deal. Got into trouble with Miss Mary when the photographer showed photographs to them, which included the "whore that we now call Xenophobia." Got into doghouse because of that. Cannot make a lie stick with Miss Mary; it is the quickest way to starve yourself to death that is still available. Will be lonesome when the book is done. He never had a better friend or a more severest critic. Have been slugging it out with Mr. Shakespeare, the writer. I guess maybe he is old. Mentions Mr. Tito who did very well, not for himself, but for everybody. Charlie Scribner is as dumb as a horse. Signed by Hemingway's secretary, Miss Nita. 6250-f
- Box-folder 3:48
Ernest [Hemingway] to Ed [Aaron Edward Hotchner], 1949 October 23TLS, 2 pp. on 2 l. with envelope.
Discusses writing. Wants to follow the same system with his new book as he did with For Whom the Bell Tolls. Discusses money possibilities. Explains why he doesn't write letters: "I do not write because I am so God-damned pooped after I write that it is difficult to write letters." Will be leaving for Paris mid November. Use his discretion in cutting of the proof. Sorry fish did not bite. Probably because of the storms, for fish "are as sensitive to the barometer as a woman is to the moon." 6250-f
- Box-folder 3:49
Ernest [Hemingway] to Edward Hotchner, 1949 November 4D, 1 item.
Telegram. Airmailing first 62 pages and chapter which introduces girl. 6250-f
- Box-folder 3:50
Ernest [Hemingway] to Ed Hotchner, 1949 November 15D, 1 item.
Telegram. Will bring all corrected copy except last chapter. Faster than mailing. 6250-f
- Box-folder 3:51
"Papa" [Ernest Hemingway] to Ed Hotchner, 1949 November 23D, 2 pages.
Telegram. Urgent. Please call Otto Bruce to see if he can bring car. If not Bruce, ask for Anita Jensen at the American Embassy, Havana. Ask for extension to Buick. Also, in book [ Across the River and Into the Trees ?] where living generals are called jerks can change to characters. 6250-f
- Box-folder 3:52
"Papa" [Ernest Hemingway] to Ed [Aaron Edward Hotchner], 1950 January 2TLS, 2 pp. on 2 l. with envelope.
Nothing of business to report so make it a personal letter. Everyone misses him. Mary is wonderful. Discusses codes, and includes anecdote about "shelling friendly cruiser." Entered into the Grand Prix pigeon shoot. Only two Americans ever won.
- Box-folder 3:53
Ernest Hemingway to Philip LaFollette, 1950 January 2TLS, 1 p. on 1 l.
Thanks for letter. Didn't know he could write a book as straight as he did and have so many intellectuals hate it. Sorry about the girl being so mature for her age. All stories are made up, but you have to invent from knowledge. American criticism is sort of funny. Anything they have not been taught, they think is not true. If you fight they hate you because they don't fight. Gives anecdote of Col. Jim Luckett. "You write that and they tell you that such things never happened. Finishing up book; it was an attempt to distill. 6250-x
- Box-folder 3:54
"Papa" [Ernest Hemingway] to Ed [Aaron Edward Hotchner], 1950 February 19TLS, 2 pp. on 1 l. with envelope.
Bad timing [about Hotchner being fired]. Does he have any money for coming events and could Hemingway help him? Would not have given the novel to Scribner's except for Hotchner; had promised it to Cosmopolitan and wouldn't let anyone else bid on it. Talks about duck and geese hunting. Dealing with his face infection he had picked up a week ago. Ingrid [Bergman] has "been takeing [sic] her lumps and it did not occur to Rosellini to do anything more chic and gallant than read [Hemingway's] private letters to her to the press." 6250-x
- Box-folder 3:55
"Papa" [Ernest Hemingway] to Ed [Aaron Edward Hotchner], 1950 March 8TLS, 2 pp. on 1 l. with envelope.
Mary broke her leg again, skiing. Tell Ted Patrick that Hotchner controls where Hemingway's stuff goes and that he "would not sell nothing to noplace where [Hotchner] was not working at unless [he] accepted service under the Woman's Home Upfuck or the Ladie's Home Compassion." Mistake to serialize as they did, but they made the mistake and "does a man cry over spilt shit or a spilt horse or whores?" No. Has done the rewrite on the whole book, but wishes Hotchner has been around to help with his "good, clean, smart, just head" and heart as bad as his. 6250-x
- Box-folder 3:56
"Papa" [Ernest Hemingway] to Ed [Aaron Edward Hotchner], 1950 July 4TLS, 2 pp. on 2 l.
Apologized for not writing as he has been busy. Recently got a concussion after a fall on the Pilar with a major arterial cut, which was something that "helped a writer the least." It was a very gory story. "Am always bored shitless when am hit or smashed up. Never like to be in bed without a woman or a good book or the Morning Telegraph. " Discusses the ballet with Anne-Marie getting top billing. Sending illustrations to Ted Patrick for "The Good Lion and the Faithful Bull. " Does not wish to publish "The Great Black Horse. " Hemingway and Conte [Carlo di] Robilant are heads of a new movement of Venetian writing. Gianfranco Ivancich another member of the Movement. Talks about horse racing. "Never lose your faith in the honesty of sports, boy." 6250-x
- Box-folder 3:57
"Papa" [Ernest Hemingway] to Ed [Aaron Edward Hotchner], 1950 December 7TLS, 3 pp. on 3 l. with envelope.
Mary [Hemingway] had a piece accepted by Flair. When they fold, they are still committed, aren't they? Discusses accusations of his adultery: "Every time we ever went to the races now rates as triple space adultery." His health is better, although he cannot ride or ski. Can fish and shoot. Going around with heart sort of a displaced person is not much fun but "it is damn sight easier than being in Korea." Has been working with lions: "Takes your mind off things." Has been offered a job working with the cats but decided to stick with book writing. He may do a story on the circus. "The Korean thing takes all the fun out of kidding." His book [ Across the River and Into the Trees ] best seller for ten weeks. Talks about MacArthur and Sir Charles Willouby, "phony, a passed-over-liar that nobody would take and really a failed Kraut." In regards to the Korean War, "this is the first time my country even fought and I was not there and food has no taste and the hell with love when you can't have children etc." The Post are good people; Collier's have been "bitches, untruthful, and never complying with their obligations." Esquire "like living in a cave with cheap thieves without a sense of humour [sic]." Let him know about CBS deal. Writing more stories. All unpublished in book form. True paying him $2,000 for his sport's stories. Always thinks of Hotchner as his soundest and truest friend. Sorry he caused him any bad luck. 6250-x
- Box-folder 3:58
Ernest Hemingway to [Richard] Stallman, 1951 January 17negative Photostat, 1 p. on 1 l.
Whether he will be in the States in December, 1951 comes close to being the $64 question. Should not defend his work except with more and better work. Appreciates him defending it if he thinks it good, but he himself should not do so. There wsa great discrepancies between reviews and letters he received regarding last book [ Across the River and Into the Trees ]. Berenson liked it very much. Many soldiers wrote that they read it four or five times. So far only two wrote against it. Shamus McManus was one. Has to get to work as his head is someplace else. Cannot come to meeting. William B. Seward, in English Department at William and Mary, knows what Hemingway is trying to do. Hemingway couldn't read McCaffery collection. It was "too much writing about something you knew too much about." He "honest to Christ" has to get to work. Believed his last book a fine one and read it over 100 times, but he couldn't say that to people nor make them believe he didn't think it was good because he wrote it. Location of original unknown. 6250-a
- Box-folder 3:59
"Papa" [Ernest Hemingway] to Ed [Aaron Edward Hotchner], 1951 February 7TLS, 2 pp. on 2 l. with envelope.
Big work almost finished, which can be broken into three big publishable books. Hotchner's television deal sounds good, but Hemingway doesn't want to stop writing for a New York appearance. Mary, Adriana, and her mother left for a trip. Wants to finish book so he can shoot in the International Championships. Scandal in Paris and Venice that Adriana is the girl in "that book we all wrote. You know this is impossible." Tells Hotchner what Sam Langford said: "that you could sweat out eating too much and you could sweat out beer and whiskey but nobody could sweat out women." Discusses sights Adriana should see in New York. 6250-x
- Box-folder 3:60
"Papa" [Ernest Hemingway] to Ed [Aaron Edward Hotchner], 1951 [March 26] "Easter Sunday"TLS, 1 p. on 1 l. with envelope.
Apologizes for everyone being sick. Wants Hotchner to sell stories without Hemingway's having to talk or make appearances. His play [ "The Fifth Column "] subversive now, but not when he wrote it. Hemingway doesn't want to be a T.V. personality. He should be writing a novel. Hemingway worrying a lot. His writing kills the worry: "So I work until I'm dead and that kills the worry and me too." Then he worries about the scandal he may have caused in Venice. "Hell if we could only make some money and me not have to photograph or talk." A person like Don Ameche who has "poise, clarity, naturalness, and charm" can deal with this strain. 6250-x
- Box-folder 3:60A
Ernest Hemingway to Miss Cohen, 1952 July 20TLS, 1 p. on 1 l. with envelope.
Discusses in detail the Caedmon Publishers' proposal to do a recording of him reading his works. Accompanying the letter are carbon copies of three letters from Barbara Cohen to Hemingway proposing the project, discussing various aspects of it, and offering him a $500 advance plus a 10% royalty. There is also a carbon of a brief note from Cohen to Alfred Rice sending a copy of her first letter to Hemingway with the comment "Hope springs eternal." 6250-z
- Box-folder 3:61
"E. Hemignstein alias Mr. Papa " [Ernest Hemingway] to "Hotch-Maru" [Aaron Edward Hotchner], 1952 July 21TLS, 2 pp. on 2 l. with envelope.
Thanks him for finding opening for Mary to write piece. Hemingway turns 53 and tells Hotchner how much he appreciates his friendship. Hemingway in financial difficulties, but possibilities for money. He will be in the clear if it sells. Makes changes to The Snows of Kilimanjaro. Discusses their mutual friends and upcoming boxing matches with Marciano and Mathews. 6250-x
- Box-folder 3:62
"Papa" [Ernest Hemingway] to Ed [Aaron Edward Hotchner], 1952 August 4TLS, 1 p. on 1 l. with envelope.
Sorry about Mark, who died. Hemingway knew him during the war and he took the "same way out" as Scott, which "seems to be an Irish ending." Wishes he knew Mark better because he was "an awful good guy." Wishes he was racing again with Hotchner. Talks about a bar-fight Hemingway was in: "I nailed him with two left hooks and a right chop." 6250-f
- Box-folder 3:63
Ernest and Mary Hemingway to "Hotch" [Aaron Edward Hotchner], 1953 July 24APC, 1 item.
He is watching a horse race and missing Hotchner. 6250-f
- Box-folder 3:63A
"Papa" [Ernest Hemingway] to Peter [Viertel], 1954 January 21ALS, 1 p.
Hemingway writes from Nairobi mentioning possibly seeking employment as temporary game ranger, surveying elephants and fish, and flying with Roy Marsch; and apologizes for not writing Jigee Viertel. Writes in detail about looking "after a leopard who killed 10 goats in one night..."; boxing with native "boys"; and learning to hunt with a spear, giving a list of animals killed to date. Also refers to a [movie collaboration?] with Faulkner and Hughes, noting "all the stories I know now are barrred from the screen on acct. of miscegenation. Also all to rough." 6250-v
- Box-folder 3:64
"Papa" [Ernest Hemingway] to "Hotchmanship" [Aaron Edward Hotchner], 1954 June 21ALS, 2 pp. on 2 l. with envelope.
Writing from on board the Morosen. Talks of John Houston and Paul Kohner. Al had not deposited book money, which caused over-drafts covered by Scribner's. Tells of bullfights and of Cordoba who tossed on his head by a bull. Saw the Pyrenees. Thinks he will beat "this rap" if kidneys straighten out. Cutting down on drinking. Liked Cardiz very much. 6250-f
- Box-folder 3:64A
"Papa" [Ernest Hemingway] to Peter [Viertel], 1954 August 21ALS, 1 p. on 1 l.
Discusses an upcoming fishing trip; writing progress; and the "comic aspects" of screen adaptations, particularly in reference to Gregory Peck in "The purple plain. " He sends thanks for moccasins and mentions a postal strike and other interferences in his life including people "louseing up the time should be re-charging the batteries ...." Mentions Hans F. Koenekamp, Don Page, George Brown who is coming down to get him in shape, and Bob Parrish. 6250-ac
- Box-folder 3:64B
"Papa" [Ernest Hemingway] to Mrs. L. Figgis, 1954 September 24TLS, 2 p. on 2 l.
Written in the aftermath of his near fatal plane crash while on safari in Uganda, Hemingway discusses the preservation of his "trophies" by Zimmerman, disparages Robert Ruark's African safari article, enquires about her children and their business, promises to send a check for deposit in Mary Hemingway's account, and thanks her for news about mutual acquaintances. 6250-ad
- Box-folder 3:65
"Hemingstein of Harrow " [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1955 June [20]TLS, 1 p. on 1 l. with envelope.
Talks about problems with children and Hemingway's home in Key West. Would be nice if Hotchner came down to visit him. Frustrated with Marlene. "[B]oth you and I put in a hell of a lot of time being God's Little Gentlemen to people who would regard cutting off our balls as merely a regrettable incident." They will have fun when he comes down. 6250-f
- Box-folder 3:66
"Papa" [Ernest Hemingway] and M[ary Hemingway] to [Mr. and Mrs. Hotchner], [1955 December 15]Christmas Card with envelope, 1 item.
"Sorry not written, been laid up." 6250-f
- Box-folder 3:67
"Local Hemingstein of Tel Aviv " [Ernest Hemingway] to "Querido Hotchmaru" [Aaron Edward Hotchner], 1956 September 14ALS, 1 p. on 1 l.
News of their travels to Escorial for one month and their new address in Paris. 6250-f
- Box-folder 3:68
"Papa" [Ernest Hemingway] to "Hotchmanship" [Aaron Edward Hotchner], 1956 September 30ALS, 4 pp. on 1 l. with envelope.
Discusses his trip to Madrid, about bullfighter friends and the bullfighting experiences. Asks for Hotchner's help for Alistair MacIntosh, a friend of Hemingway's writing a book. Hemingway wrote six short stories. 6250-f
- Box-folder 3:69
"Papa" [Ernest Hemingway] to "Hotchenroll" [Aaron Edward Hotchner], 1957 May 28TLS with autograph postscript, 1 p. on 1 l. with envelope.
Discusses his business dealings with Alfred [Rice] and split in fees between all of them. Talks about the sales of "Battler. "Hemingway states that he is "not really a very big shit about monies; or maybe [he] is and nobody told [him]." Difficulties of not having hard liquor: "It is about as much fun as driving a racing motor car without lubrication for a while." Sorry that Hotchner has so much work on C.B.S. thing. Both Hemingway and Mary are in good health. Writing Peter Buckley about his bull book: "God save us from amateurs. They kill you." 6250-f
- Box-folder 3:70
"Hemingstein " [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1957 August 8TLS with autograph corrections, 2 pp. on 2 l. with envelope.
Discusses Alfred [Rice] and business problems with him. Half-way through sixth month of doing without liquor. Liver improved but not cured. Tells of health worries. Problems with Mary's mother who is bothering Mary all the time, and Bunby's "extravagant wife problems." Gigi in hospital. Has lots of worries. Easier when he could drink and cheer up. Mary would rather have Hotchner around than anyone else.
- Box-folder 3:71
"Papa" [Ernest Hemingway] to "Hotchnick" [Aaron Edward Hotchner], 1957 December 7ALS, 2 pp. on 2 l. with envelope.
Talks about his health, children, and tax problems caused by Alfred [Rice], his tax lawyer. Alfred did some illegal things using Hemingway's money. Had warned Alfred to pay up. Hemingway never cut corners, but now he owes a lot. Alfred tells him to get to work, and Hemingway has written 750-1,200 words a day since November 5. Will fight his way out of this one as our of every other one. 6250-f
- Box-folder 3:72
"Mary Papa "[Mary and Ernest Hemingway] to [Edward] Hotchner, 1958 May 6telegram, 1 item.
Congratulates Alfred on his performance. Read Crosby review and happiest that Alfred is getting deserved recognition. 6250-f
- Box-folder 3:73
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], [1958] August 26ALS, 1 p. on 1 l. with envelope.
Hadn't written on account of book. Against Naples story being transplanted to Venice where gangsters don't come from: "They would not permit this and I didn't think it chic repayment of their many kindnesses to us." Upset about Town and Country pieces; errors should have been caught. Alfred [Rice] told to split with Hotchner on whatever he considered right. Hemingway knows he can believe nothing he says. Asks Hotchner if the deal was fouled up. Includes photocopy TLS Mary Hemingway to Hotchner, 1958 August 26. See Mary Hemingway correspondence for original. 6250-f
- Box-folder 3:74
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], [1958 November 5]ALS, 1 p. on 1 l. with envelope.
Don't let year go by without them getting together. Classy shooting. Fine country and people. Next best thing to Spain and very like it. Verso: Mary Hemingway to Hotch, 1958 November 5. 6250-f
- Box-folder 3:75
Ernest Hemingway to [Bronislaw] Zielinski, 1958 November 5ALS, 2 pp. on 1 l. with envelope
Gives specific details on traveling to Idaho. 6250-g
- Box-folder 3:76
"Papa" [Ernest Hemingway] to "Bron" [Bronislaw Zielinski], 1958 November 24ALS, 2 pp. on 1 l. with envelope.
Great fun having him visit and he left many friends. Sorry about the bad luck on the trip. After he left it snowed heavily and they had some good duck hunting. Discusses [ The Green Hills of Africa ] royalties. Enjoy his time while in the United States and give his best to Polish writers when he gets home. 6250-g
- Box-folder 3:77
"Mr. Papa " [Ernest Hemingway] to "Bron" [Bronislaw Zielinski], 1959 February 15LS, 2 pp. on 2 l.
Sorry not to have written Zielinski since Malaga. Hemingway has had trouble and has been working very hard. Mary fractured her arm very badly which required drastic surgery. Took much of Hemingway's time. Valerie has helped out a lot but Hemingway is over-worked trying to make up for lost time. They all toasted Zielinski at Christmas and New Year's. Letter in the hand of Hemingway's secretary, Valerie [Danby-Smith]. 6250-g
- Box-folder 3:78
[Ernest] Hemingway to [Frank Stanton], [1959 March]ANS, 1 item.
"Artist without talent stop portrait without merit stop hope show will be better stop Very Best luck and thanks." Draft for telegram message written on back of envelope. 6250-f
- Box-folder 3:79
Ernest [Hemingway] to "Bron" [Bronislaw Zielinski], 1959 April 12ALS, 3 pp. on 3 l. with envelope.
Thanks for his fine letters, the pictures, and the clippings. Hemingway has been working very hard. Wanted to write him but kept on writing and hunting. Good shooting after he left. After duck season they hunted jack-rabbits for the farmers and trapped magpies. Details their stops on the way to Key West. Relates how in Texas "every filling station for three hundred miles had been robbed in one night." Talks about his loss of weight, exercise routine, the revolution in Cuba. Cannot trust [Alfred] Rice. Expects to be in Spain in May. 6250-g
- Box-folder 3:80
"Papa" [Ernest Hemingway] to [Edward] Hotchner, 1959 June 18D, 1 item.
Telegram. If Hotchner cannot make Madrid on 26th come directly to Suecia and they will drive to Zaragoza for Antonio [Ordez]'s reappearance. Will have everything set for Pamplona, Valencia, etc. 6250-f
- Box-folder 3:81
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1959 June 182 pp. on 2 l. with carbon copy and envelope.
Antonio [Ordez] fights in Zaragoza 27th. If he can get to Madrid by 26th, wonderful. Details plans for the following days. Antonio going with them because he is not fighting, but more fights later on. All they need is George Plimpton. Will have Hemingway's 60th birthday party. All will go to Valencia. There never was such a summer in prospect. All expenses charge to firm and new stuff for Death in the Afternoon. All Antonio wants, except to be the greatest matador that ever lived, is to be with them. Just back from his bull ranch. 6250-f
- Box-folder 3:82
"Papa Mary "[Ernest and Mary Hemingway] to Ed[ward] Hotchner, 1959 June 18D, 1 item.
Telegram. See Hotchner in Suecia the 27th. 6250-f
- Box-folder 3:83
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1959 June 19ALS, 1 p. on 1 l. with envelope.
Two things he can bring: shooting jacket and boat pants. Weather wonderful. Thinks Hotchner can find place he has always been looking for. Terrific ones like on the Riviera before they ruined it. Wonderful to be seeing him soon. 6250-f
- Box-folder 3:84
"Mr. Papa "[Ernest Hemingway] to "Bron" [Bronislaw Zielinski], 1959 June 24ALS, 5 pp. on 4 l. with envelope.
Thanks for letters. Hemingway could not find African pictures for him. Nor could he answer his very intelligent questions. Should have two secretaries. Seen 14 bull fights since they got to Spain. Antonio [Ordez] was badly gored on May 30th. Enjoyed magazine and will try to be a good Polish writer. Discusses the things wrongly accredited to him in June 20th edition of Paris Match : "Some of it was interesting. But it was all shit and I did not say it." Discusses how, for some strange reason, "probably because Mary is so lovely," that they are very well liked." Hemingway loves Spain the way he loves Idaho. Talks about the story, "The Cross Roads. "6250-g
- Box-folder 3:85
"Papa" [Ernest Hemingway] to "Bron" [Bronislaw Zielinski], 1959 August 9LS, 2 pp. on 2 l.
Mislaid Zielinski's letter about the details of the check for the prize. Cannot locate it. Maybe blown off terrace where he writes or confused with Mary's mail. Could he repeat instructions? Worried that Hemingway's letters to Zielinski may be censored in Poland. Send a cable once he gets this letter. Letter in the hand of Hemingway's secretary. 6250-g
- Box-folder 3:86
"Mr. Papa " [Ernest Hemingway] to "Bron" [Bronislaw Zielinski], 1959 August 29LS, 4 pp. on 2 l.
Thanks for letter of August 18. Just sent him check for $1000. Let Hemingway know when he gets it. Answers a number of questions about [ The Green Hills of Africa ]. Plans to return to Idaho for fall and winter. Congratulates Zielinski for his election to the Supreme Council. Hemingway won't be in Spain until June. Discusses problems with translations. Wishes he could read Kolzov's Spanish Diary. Zielinski is a true and good friend and appreciated the cable about the crash: "There was no-one hurt and that is all that matters in crashes."Letter in the hand of Hemingway's secretary. 6250-g
- Box-folder 3:87
"Hemingstene "[Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1959 September 14Physical Location:LS, 4 pp. on 4 l. with envelope.
Back in Madrid after swing around circuit. They finally put Antonio [Ordez] in jail after "packing up his picadors." He loses ten fights and 5,000,000 pesetas. His training has been really fractured. Two more fights and he goes to Peru. How do the business deals go? Relates of his trip through Spain. Got pick-pocketed signing autographs. Anotonio's suspension is for one month. Mary will go to New York October 5th and Hemingway to Havana on the 18th. Letter in the hand of Hemingway's secretary. 6250-f
- Box-folder 3:88
"Papa" [Ernest Hemingway] to "Hotch-muru" [Aaron Edward Hotchner], 1959 September 16LS. 7 pp. on 7 l. with envelope.
Tells of great photographs to be sent to Hotchner and of his experiences. Disaster when Antonio [Ordez] was put into the "can" on picador deal. Nobody stuck with Antonio; picadors used after they had been suspended under other names. He misses ten fights. Mary feeling fine again. Hemingway's brother wanted permission to print his letters, with mother a bitch and father a suicide. Hemingway against using letters of living. Damned if brother dredges up all the trouble Hemingway has been in just to make money. Butter to buy himself, but no Hemingway ever paid blackmail. Letter in the hand of Hemingway's secretary. 6250-f
- Box-folder 3:89
"Papa" [Ernest Hemingway] to "Boxman" [Aaron Edward Hotchner], 1959 September 20LS, 4 pp. on 4 l. with envelope.
Regarding cars in Key West. Will need Buick fixed for drive to Idaho. Will sail Liberté October 27 and arriving in New York November 2. Flying down to Finca, then to Key West. Going to see Antonio [Ordez]'s finish season at Nimes, and shoot stuff for Life magazine. Then he will drive to Paris to see Mary off. Building log cabins in Ketchum, [Idaho]. Anxious to get bull stuff wrapped up so he can go back to finish his novel and rest awhile. Letter in the hand of Hemingway's secretary. 6250-f
- Box-folder 3:90
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1959 October [2]LS, 6 pp. on 3 l. with envelope.
Thanks Hotchner for handling station-wagon deal. Discusses race at Langhey. Seeing Mary off tomorrow. Letter in the hand of Hemingway's secretary. 6250-f
- Box-folder 3:91
"Ernesto " to "Hotch" [Aaron Edward Hotchner], 1959 November 8ALS, 2 pp. on 2 l. with envelope.
Good flight. Mary friendly but holds to same program. Will go to Ketchum to help with Antonio [Ordez] and Carmen on certain conditions: no cooking, and he is not to shoot with Mrs. Gray unless Mary is present. Mary will go to New York to write. Hemingway moves as cheerfully as possible like in a Kafka nightmare. He is bone-tired and very beat up emotionally. Wants to get back to writing. One of the big issues is that he expects others to subordinate themselves to his writing, and thus make them lead lives of drudges. Will tell about the real revolution in Cuba. Hopes United States won't cut sugar quota. He will be amazed at change. 6250-f
- Box-folder 3:92
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1959 December 19ALS, 2 pp. on 2 l. with envelope.
Mary sleeps well. Her bones are healing O.K and her cast comes off December 26. Talks about Buick commercials. He thinks them in excellent taste. Will let Finca by January 16th. 6250-f
- Box-folder 3:93
Ernest Hemingway to Life Magazine, [1959 July 7 - 1960 June 2]TMs, 18 pp. on 18 l.
Correspondence regarding The Dangerous Summer. Also includes correspondence from Life magazine to Ernest Hemingway. Life not to publish [ Dangerous Summer ?] because it will be an appendix to Death in the Afternoon. Life urges him to reconsider; they will mention book. They are publishing Mary's story. Much about rivalry between [Luis Miguel] DominguÍn and [Antonio] Ordez. Hemingway refuses to interrupt present research to do special piece. Much about dickering regarding price, size, etc. Hemingway says hard economics, not vanity, dictates figures. Write regarding Antonio and photographs with Bill Lang. Sent advance payment of $10,000 for bull-fighting article. Discusses Mary's shattered elbow. Life hopes to print article in single issue. Hemingway defends why piece is so long (63,562 words). There are no deaths, so had to build characters, feelings, etc. Can call whole thing off if hard to fit in during election year. Would have been easier if Miguel or Antonio had been killed. Mary pretty well destroyed, but it functioning. Finished at 108,746 words. Will get to work on Scribner book for 1961. 6250-f
- Box-folder 3:94
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1960 January 16ALS, 2 pp. on 1 l. with envelope.
Thanks him for tending to business. Getting off tonight. Just signed papers for banking for corporation. Talks about his signature. Thanks for fine pictures. 6250-f
- Box-folder 3:95
"Papa" [Ernest Hemingway] to "Pecas" [Aaron Edward Hotchner], 1960 February 8LS, 3 pp. on 3 l. with envelope.
Thanks Hotchner for clippings, etc. Glad show went well. Alfred [Rice] appropriately gloomy. Finished 8,000 words in second part of the piece. Goes good, but it will be better when he can get out in boat and get rid of staleness. Not thinking of Dan's book. No plan for serialization, but Life would have first call since George Plimpton mentioned it to them first. They would be glad to give advance. They did publish The Old Man and the Sea. Mary's arm coming along well with massage and therapy. She is optimistic. Hemingway lives in a sort of vacuum of work. Val is organizing everything properly. Letter in the hand of Hemingway's secretary. 6250-f
- Box-folder 3:96
"Dr. Hemingstein " [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1960 February 18LS, 2 pp. on 2 l. with envelope.
Thanks for words on project. Would like to know status of various things. [Evi] Sevaroid comes to lunch and steals you blind, always winning as a man of impeachable ethics. Alfred [Rice] sent some cuttings. Have 17,000 words done on piece since the 25th. Mary's arm is good. Letter in the hand of Hemingway's secretary. 6250-f
- Box-folder 3:97
"Mister Papa " [Ernest Hemingway] to "Bron" [Bronislaw Zielinski], 1960 February 20LS, 1 p. on 1 l.
Just a note that he received Zielinski's second letter and that Mary's arm is doing better and that he is working very hard. Letter in the hand of Hemingway's secretary. 6250-g
- Box-folder 3:98
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1960 March 12LS, 4 pp. on 4 l. with envelope.
[Gary Cooper] called, enthusiastic regarding After the Storm , but spooked about pictures, due to strike. Thinks it OK to take advance payment on it. Discusses future of screen play. Cooper really wants to go into television. Sorry Hotchner is having trouble with censorship on the "K film" [ The Snows of Kilimanjaro ]. Hemingway wrote it as morally as he could. No fish in gulf, but good cock fighting, swimming, etc. No faith in play unless big sum of money changes hands. All of those bastards have money instead of blood in their veins. Best to think money is counterfeited until it is banked. Letter in the hand of Hemingway's secretary. 6250-f
- Box-folder 3:99
"Papa" [Ernest Hemingway] to "Dotch" [Aaron Edward Hotchner], 1960 March 31LS, 4 pp. on 4 l. with envelope.
Thanks for advice, help, etc. Can't give a reading on television situation as is pooped having written Life explaining delay on Mano-a-Mano. Up to 63,562 words, and offering to return advance or re-negotiate. Wrote Scribner's to scratch Paris book from fall list due to overextension of time put in on Mano-a-Mano. Discussion of business matters regarding books and stage productions. Refers to "The Gambler, Nun, and Radio, " which took place in a hospital in Billings, Montana. Glad Hotchner sold "Killers " to German television. Letter in the hand of Hemingway's secretary. 6250-f
- Box-folder 3:100
"Mr. Papa " [Ernest Hemingway] to "Bron" [Bronislaw Zielinski], 1960 April 16LS, 2 pp. on 2 l.
Hopes Zielinski has been receiving his letters. Seems that Zielinski did not receive two of his last letters. Feels uneasy about postal communications. Hemingway would never break off a correspondence even though he is a poor correspondent and is working very hard that his friends get "nothing in proportion to his daily work." Let him know when he receives this letter. Letter in the hand of Hemingway's secretary. 6250-g
- Box-folder 3:101
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1960 May 9LS, 3 pp. on 3 l. with envelope.
Thanks for T.V. Guide reviews. Alfred [Rice] so depressing it looks as if he is working for other people. "Coop" [Gary Cooper] is in hospital and going to Naples on a picture. How do the various projects stand? Word count over 92,000. That is much too many. Will finish 20th of this month. Mary's arm progressing well. Discusses his writing. Letter in the hand of Hemingway's secretary. 6250-f
- Box-folder 4:1
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1960 July 5ALS, 1 p. on 1 l. with envelope.
Enclosed $500 check [not present] for apartment expenses and cost of typing and copying bullfight manuscript. Hope his back is fine now. Hemingway feels bad about the "Schoonmaker business." 6250-f
- Box-folder 4:2
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1960 August 7ALS, 2 pp. on 2 l. with envelope.
Sending cable to protect from libel. Found out Luis Miguel [DominguÍn] going "hog wild" in Spain on anything to do with horses being sleaved [sic]. The fact everybody knows they are sleaved [sic] means nothing. Legally you would have to prove it and the government won't investigate the ring. Doesn't want to risk Life with any libel suit. Lots of bad stuff going on. Antonio [Ordez] dealing with plenty sordid stuff: "whole set-up bad." Horn cutting worse than ever, but they crack down when Antonio's bulls are involved. Hemingway doesn't feel too good. 6250-f
- Box-folder 4:3
"Pedro Ro Papa "[Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1960 September 8ALS, 1 p. on 1 l. with envelope.
Sending check. [Belly] in really lousy shape. Make sure Alfed [Rice] pays him. Hopes to clean up work for book. Never was so dead in the head in his life. Starting to pull out of it. 6250-f
- Box-folder 4:4
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1960 September 174 pp. on 2 l. with envelope.
Returned to Madrid for four days rest. Discusses Antonio [Ordez] and bullfights. Asks why Hotchner never cashed the $5000 check. Life crossed them up; had arguments over the pictures of bullfights. Hemingway "the laughing stock of anyone who knows anything about bull fighting and has seen piece and regarded as the crook and double crosser of all Time." Numerous problems with pictures of bull fighting: "Would rather be smashed up like in Africa any number of times than have the feeling that page of pictures gave me." Hemingway has to try not to think that he is destroyed as an honest guy. Made both a fool and a double crosser after all his care to be true. For what sum would they let him not publish Spanish edition? 6250-f
- Box-folder 4:5
"Papa" [Ernest Hemingway] to [Edward] Hotchner, 1960 September 18D, 1 p. on 1 l.
Telegram. That many stories is a book. Would ask for seven, not ninety under 5. 6250-f
- Box-folder 4:6
"Papa" [Ernest Hemingway] to [Edward] Hotchner, 1960 September 19D, 1 p. on 1 l.
Telegram. Hotchner should ask for book length price of $100,000, reducing as necessary. Studios value according to the price they pay. Ten stories of his should be expensive package. 6250-f
- Box-folder 4:7
"Papa" [Ernest Hemingway] to [Edward] Hotchner, 1960 September 22D, 1 p. on 1 l.
Telegram. Still waiting. Call, cable when he receives this as he is held there until he hears from Hotchner. 6250-f
- Box-folder 4:8
"Logrono " [Ernest Hemingway] to [Edward] Hotchner, 1960 September 24D, 1 p. on 1 l.
Telegram. Will call Tuesday a.m. unless he cables Monday. Antonio [Ordez] greatest. 6250-f
- Box-folder 4:9
"Papa" [Ernest Hemingway] to [Edward] Hotchner, 1960 October 21D, 1 p. on 1 l.
Telegram. Have information that Wald wants film badly. Inform any guests if arrived. No financial problems, no worries. Writing soon. Tried calling." 6250-f
- Box-folder 4:10
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1960 October 25ALS, 1 p. on 1 l. with envelope.
Enclosed is a $1500 check [not present] for Val's [Valerie Danby-Smith] tuition at the Dramatic Academy and living expenses. Hemingway doesn't want Val to arrive in New York with no backing. New York is expensive, not only to live but to eat properly. 6250-f
- Box-folder 4:11
"E.H. " [Ernest Hemingway] to Val [Valerie Danby-Smith], 1960 October 25ALS, 1 p. on 1 l. with envelope.
Impossible for Hemingway to work unless he knows she is all right. Can write him in Sun Valley. He loves her very much and misses her help all the time. A rough fall and "the whole purpose of being here [Ketchum] to work is destroyed" unless he knows she is well. Wishes her luck and know that he loves her and wants everything good for her. 6250-f
- Box-folder 4:12
"Papa Mary "[Ernest and Mary Hemingway] to "Hotch" [Aaron Edward Hotchner], 1961 January 10D, 1 p. on 1 l.
Telegram. NWA on strike. Provides directions for Hotchner to get to them. Hemingway tells his weight. 6250-f
- Box-folder 4:13
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1961 January 30ALS, 2 pp. on 1 l. with envelope.
Talks about incoming mail. Weight down to 170 which is too low. Tells him when to call in order to discuss [Frank] Corsaro. Wire when contracts are done, and have Alfred [Rice] wire when deposits are made. 6250-f
- Box-folder 4:14
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1961 February 18ALS, 1 p. on 1 l. with envelope.
Discusses his business talks with Alfred [Rice]. Business transactions. Hotchner had expenses as producer. Hemingway only supplied stories. He is working hard. 6250-f
- Box-folder 4:15
"Mr. Papa " [Ernest Hemingway] to "Bron" [Bronislaw Zielinski], 1961 February 24ALS, 1 p. on 1 l. with envelope.
Hemingway shocked that Alfred [Rice] did not inform him of Zielinski's Pen Club prize for translation of Hemingway's works into Polish. Hemingway was very sick at the Mayo Hospital in Minnesota. Sends belated congratulations. Hemingway a bad correspondent because he has been very ill. 6250-g
- Box-folder 4:16
Ernest Hemingway to Mr. A. E. Hotchner, 1961 March 2TLS, 3 pp. on 3 l.
Hemingway documents the rights Hotchner has with all Hemingway's writings. 6250-f
- Box-folder 4:17
"Papa" [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], 1961 March 4ALS, 1 p. on 1 l.
Letter regarding agreement Alfred [Rice] sent to Hemingway. Sent copy to Hotchner to sign. 6250-f
- Box-folder 4:18
"Papa" [Ernest Hemingway] to "Hotch-Muru" [Aaron Edward Hotchner], 1961 March 6ALS, 1 p. on 1 l. with envelope.
Tells Hotchner that letters are scarce, so everyone picks them up and reads them; if he has problems, etc. put them on separate sheet of paper for his eyes only. Working out present book, and has to go day to day on health business. Weight is bit low and wants to be sure on that end before taking on further work and movements. He doesn't want to worry Mary. 6250-f
- Box-folder 4:19
Ernest Hemingway to [Merle] Armitage, n.d.ALS, 2 pp. on 1 p. with typed copy.
Thanks for letter. Happy he liked book. Answers his questions about Sidney Franklin and bullfighters. Latter at their best when bullfighting, and at their worst at a place such as United Artists lot with Sam Goldwyn. Likes "the old bugger" very much. Sees him on top of wave, and broke Also. If he sees him, ask him to write Hemingway what he thinks of his book [ Death in the Afternoon ?]. 6250-c
- Box-folder 4:20
Ernest Hemingway to [Richard] Armstrong, "Friday,"ALS photocopy, 1 p. on 1 l.
Appreciates the trouble Armstrong has taking for them. Why not drop in and have a drink? Original tipped in The Sun Also Rises , PS 3515. E37 S8 1930 copy 3. 6250-t
- Box-folder 4:21
"Hemingstein "[Ernest Hemingway] to Marlene Dietrich, n.d.AL draft, 1 p. on 1 l.
"My Dearest Kraut. " Thinks readings will be fine. Hopes London good. Hemingway going back to Finca. Refers to "page 488 on book." Draft of telegram. 6250-f
- Box-folder 4:22
"EH " [Ernest Hemingway] to "Hotch" [Aaron Edward Hotchner], n.d.DS, 1 Christmas card.
Christmas greetings. 6250-f
- Box-folder 4:23
"Papa" and "Mary" [Ernest and Mary Hemingway] to [Aaron Edward Hotchner], n.d.DS, 1 Christmas card
Hemingway proud of Hotchner. 6250-f
- Box-folder 4:24
Ernest Hemingway to [Houghton Mifflin & Co.], n.d.ANS, 1 p. on 1 l.
On the poetry of Archibald MacLeish. Indicates that he doesn't want to write about MacLeish as he is fond of him. Doesn't believe friends should write about each other's works. States that even those who do not like him or what he writes must see by now that he is a great poet. Autograph note by Archibald MacLeish in upper left hand corner: "Bob: This, of course, is written as an excerpt (in quotes) from a letter to H. M. Co. from E. H.. He sent it to me with apologies for not writing you direct as he is very busy. A." 6250-c
- Box-folder 4:25
Ernest [Hemingway] to [Charles Scribner], n.d.ALS fragment, 1 p. on 1 l.
Received Dave Randall's letter and assures manuscript of The Green Hills of Africa is authentic. Jane Armstrong did a wonderful job copying it for Hemingway. She was very poor and broke so Hemingway gave her the manuscript because it would be "worth money some day." Please try to give her all you can for the manuscript. Original letter in autograph manuscript of The Green Hills of Africa. 6250-a
- Box-folder 4:26
Ernest Hemingway to Mr. Vance, n.d.ALS, 1 p. on 1 l.
Sends inscription to paste in one of his books. It's a bother to send a book back and forth. 6250-c
- Box-folder 4:27
Mary [Hemingway] to "My Sweet Ed" [Aaron Edward Hotchner], [1949?] March 7ALS, 2 pp. on 1 l.
Mary asks if Hotchner "is a Papa yet?" Mentions Cosmopolitan treachery. Anne-Marie Cloche thrilled about ballet and plans to go to New York for its opening. Mary broke her leg skiing at Cortina and are delayed in returning to Paris. Sailing March 21. 6250-f
- Box-folder 4:28
Mary Hemingway to "Honey Bun" [Aaron Edward Hotchner], 1951 May 29TLS, 2 pp. on 2 l. with envelope.
Papa now finished war and chasing part of book and it's magnificent. So different from The Old Man and the Sea, which is a violin solo. With situation more complex and startling, frightening action. Just finished second annual marlin fishing tournament and thinks she could do a really good story about her experiences: ten hours a day for three days. On second day took 240 involuntary shower baths and caught one fish. 6250-f
- Box-folder 4:29
Mary [Hemingway] to "Honey Hotch" [Aaron Edward Hotchner], 1951 June 15TLS, 2 pp. on 2 l.
Ladies Home Journal not interested in her story. Free to sell elsewhere. Discusses Brandt's interest and requirements of Post for story. 6250-f
- Box-folder 4:30
Mary [Hemingway] to "Honey Hotch" [Aaron Edward Hotchner], [1952] July 13TLS, 2 pp. on 1 l.
Discusses her visit to parents and her boredom. They are going to publish The Old Man and the Sea story this fall. Convinced it is purest and best thing Ernest Hemingway has done. Won't offend Carl Brandt, will it? He was so efficient regarding marlin fishing job. Would Today's Woman let her know when they want story, how long, etc.? 6250-f
- Box-folder 4:31
Mary [Hemingway] to "Honey Hotch" [Aaron Edward Hotchner], [1952] November 14ALS, 1 p. on 1 l.
Compliments him on a good story in Post. His year in Italy gets closer ever day. Life is good with them now. 6250-f
- Box-folder 4:32
Mary [Hemingway] to "Dearest Hotches" [Aaron Edward Hotchner], [1954] March 30TLS, 1 p. on 1 l.
Just "the damndest, worst, dirtiest luck in the world, not even fit to happen to meanest SOBs." Hotchner falls sick and they couldn't operate him soon enough. Mary tells of her own medical problems that caused her inability to have a baby. Contented with practically everything, except McCarthy. P.S. Papa had a lot of internal breakage and a concussion and then another accident in a forest fire. We didn't tell the press. 6250-f
- Box-folder 4:33
Mary [Hemingway] to "Hotch" [Aaron Edward Hotchner], [1955?] June 21TLS, 1 p. on 1 l.
Talks about Hotchner's planned trip to visit them. Hemingway's plan to go over July 2. Sending manuscript with Papa's additions. 6250-f
- Box-folder 4:34
Mary [Hemingway] to "Dearest Hotch-Puss" [Aaron Edward Hotchner], [1956] November 7TLS, 1 p. on 1 l.
Regarding possible trip with them through English countryside. Papa's health O.K. now after stringent regime. Ava [Gardner?] came with script for The Sun Also Rises which was a mess. Papa is re-writing. Discusses political affairs in Hungary and Egypt, and is sorry that she is contributing nothing as a member of the human race. "Papa says, 'Never lose faith in the firm.'" 6250-f
- Box-folder 4:35
Mary [Hemingway] to "Dearest Hotchpuss" [Aaron Edward Hotchner], 1956 December 28TLS, 2 pp. on 2 l. with envelope.
Papa healthy again with his cholesterol down. Their plans to stay in their old room on the Ile. Hemingway is "bored shitless" following his health regime. 6250-f
- Box-folder 4:36
Mary [Hemingway] to "Hotch Presh" [Aaron Edward Hotchner], [1957] April 4TLS, 1 p. on 1 l.
Talks about her burgeoning garden. Medicos put Papa on even a stricter regime than in Paris. No hard liquor at all. He is managing "somehow to support the boredom which must accompany the being forever sober." Blood tests show definitive improvement. Mary asks Hotchner if he has read [Lael Tucker] Wertenbaker's Death of a Man and, if so, what he thought about it? Includes autograph note to Hotchner from Ernest Hemingway. 6250-f
- Box-folder 4:37
Mary [Hemingway] to "Hotch darling" [Aaron Edward Hotchner], 1958 August 26TLS, 1 p. on 1 l.
Explains reasons for not writing. Worries about book and hopes it will sell big to Hollywood and television. Hopes Hotchner can manage with 25% income tax for year. Papa started new thing and is working in single-minded devotion. He's in good shape with fine spirits except for massive irritation over Alfred's "boobiest blunder yet." Mary was able to accomplish one thing: getting new road almost saved from billboards. Originally enclosed with Ernest Hemingway to Hotchner, 1958 August 26. 6250-f
- Box-folder 4:38
Mary [Hemingway] to "Hotch darling" [Aaron Edward Hotchner], 1958 November 5TLS photocopy, 1 p. on 1 l.
"Four rollicking rambunctious weeks of Idaho brand revelry." Tells Hotchner all about their living conditions, the log cabin, shootable birds, deer, etc. Hunted every day. Papa is in great shape, masterminding the shooting. He works mornings and shoots evenings. Hemingway's work is going good. What is Hotchner waiting for? Come visit. Written on verso of Hemingway to Hotchner, 1958 November 5. 6250-f
- Box-folder 4:39
Mary [Hemingway] to "Hotchalito Caro" [Aaron Edward Hotchner], 1959 January 7TLS, 1 p. on 1 l. with envelope.
Snow for Christmas finished duck season, with Papa winding up with three doubles. The day before with three triples. New house is great. Discusses all the Christmas presents. New Year's Eve with Leonard Bernstein, her musical hero, "that all time, record-breaking jerk." He got more insufferable and he was close to having his phony face badly bruised. Heard about Cuba in New York Times and their house is in good shape except for a few blown out windows. Hopes they can get a year or two of decent living before they start mutilating and murdering each other again. Thanks for the gift of the cheese. 6250-f
- Box-folder 4:40
Mary [Hemingway] to "Hotchicante" [Aaron Edward Hotchner], [1959] September 6APCS, 1 item.
Town cheerful and noisy as ever. Antonio [Ordez] has many corridas in September. Keep your fingers crossed. Included Antonio's dates in France. Postcard Also signed by Annie, [Ernest Hemingway?], Valerie, and Bill. 6250-f
- Box-folder 4:41
Mary [Hemingway] to "Hotchkisible" [Aaron Edward Hotchner], [1959] November 8TLS, 1 p. on 1 l. with envelope.
Regarding plans. Big party with Antonio [Ordez], etc. on Papa's Saint's Day. Will fly to Chicago to get place ready for Ernest Hemingway. He is driving to Idaho. Can't assess damage done to partnership last summer in Spain by Bill Davis. Doesn't know if it is reparable, but hopes so. Antonio and Carmen happy there. Papa to get to Ketchum November 15th or 16th. 6250-f
- Box-folder 4:42
Mary [Hemingway] to "Hotch dear" [Aaron Edward Hotchner], [1961] May 4TLS, 1 p. on 1 l.
Received long letter from Hemingway. More lucid that he's been for some time, harping on finances. He has to buy clothes. Wants to start working and be out of there as soon as he can. She wrote back that Hemingway should not get out until they are sure his cure is complete. Doesn't want repetition of the last three months. Can Hotchner talk to Dr. Cattell about this? She feels Hemingway may need thorough psychoanalysis. Not sure Dr. [Howard] Rome is man to do it, as he never went into depth regarding cause of Hemingway's hallucinations. Maybe transfer Hemingway to Menninger's. Hemingway would have to consent. Repetition of last three months would destroy her in one way or another. 6250-f
- Box-folder 4:43
Mary [Hemingway] to "Honey Hotch" [Aaron Edward Hotchner], n.y. July 4TLS, 1 p. on 1 l.
Mary claims she is an "Indian giver," as she decided not to send her travel diaries to Hotchner on Hemingway's advice since Hotchner had a healthy memory anyway. Gives the itinerary of their trip. Once she has something he would like, she will send it immediately. 6250-f
- Box-folder 4:44
Mary [Hemingway] to "Hotch cher" [Aaron Edward Hotchner], n.y. [1956?] December 13ANS, 1 Christmas Card,
Asks Hotchner to use this picture [not present] for the back jacket of his first book. Hemingway told Mary to relay that he finally "butchered them at Auteuil" at the horse races. They are there until January 23rd. 6250-f
- Box-folder 4:45
Ralph MacA. Ingersoll to Joseph Losey, 1939 March 22D, 1 p. on 1 l.
Telegram. Can't do it. Will discuss. 6250-a
- Box-folder 4:46
[Ralph MacA. Ingersoll] to Joe [Losey], 1939 March 22TL carbon copy, 1 p. on 1 l.
Wants to talk about it some time. Related to May 20, 1939 TLS Ernest Hemingway to Ralph MacA. Ingersoll. 6250-a
- Box-folder 4:47
[Ralph MacA. Ingersoll] to Joseph Losey, 1939 March 28TL carbon copy, 1 p. on 1 l.
Wired Hemingway thanking him for his letter, but does not have the time to visit him. No reason to continue argument any further. Would rather "talk Ernest [Hemingway] out of letting Glazer do it than I would win a suit from him." We will wait and see what will happen. 6250-a
- Box-folder 4:48
Juanita Jensen to Edward Hotchner, 1949 November 22TLS, 1 p. on 1 l. with envelope.
Checked on Col. Richard Cantwell in "Army Register. " No officer listed with that name. Hopes Papa and Mary got off all right. Heard he had a digestive disorder. Hopes it was a false rumor. 6250-f
- Box-folder 4:49
[Horace Liveright] to Ernest Hemingway, 1925 December 30TL copy, 2 pp. on 1 l.
Everyone in office read The Torrents of Spring about which Fitzgerald wrote so enthusiastically. Who does he think will buy it? It is such a bitter, vicious caricature of Sherwood Anderson. Too few are interested in intellectual travesty to ensure him sale of 700 or 800 copies. Would be cruel to publish had they wanted to. They may be wrong. Eager to read The Sun Also Rises for publication next fall. Discusses jacket for In Our Time , and says Hemingway wrong to accuse them of exploiting him. He is unknown, and needs blurbs on jacket to attract buyers. It will sell some day, after his first successful novel. Conrad was rejected for ten or fifteen years. 6250-a
- Box-folder 4:50
Joseph Losey to Ralph MacA. Ingersoll, 1939 March 24TLS, 3 p. on 3 l.
Received copy of Speiser's letter, which makes him mad. Discusses his negotiation with Dart and Speiser regarding script. Ingersoll admits that it "is quite true that a playwright's contract gives him the right to insist upon every word of the script that is bought being produced as bought. However, I know of no successful or unsuccessful production which operates on this basis actually." Hemingway apparently not willing to make any concessions. Raising money for production difficult because, since it was a Hemingway play, people "were worried beforehand about how he would behave in rehearsal, and therefore wanted assurances about that behavior, assurances which normally would be taken for granted. Still, Hemingway would be "a hell of a guy to work with, but I nevertheless liked what I saw of him very much." The play should be produced not only because of Hemingway but because of the cause which it is identified. Enclosed in Joseph Losey to Ralph MacA. Ingersoll, 1939 March 24. Dictated 1939 March 23. 6250-a
- Box-folder 4:51
Joseph Losey to Ralph MacA. Ingersoll, 1939 March 24TLS, 1 p. on 1 l. with enclosure.
Enclosing a letter which he dictated yesterday. Ingersoll admits that Hemingway behaved well. Although bad judgment on Hemingway's part, best not to antagonize him because "he is fundamentally too useful a guy." Admits original mistake was his own because he was over anxious to do Hemingway's play. 6250-a
- Box-folder 4:52
Dave [?] to Edward Naumburg"> 1950 October 13TLS, 1950 October 13, 1 p. on 1 l.
Encloses Hemingway reviews for Naumburg. Reviews filed under "Various clippings regarding Ernest Hemingway, 1941-1963, n.d. "6250-u
- Box-folder 4:53
Ernest Hemingway's note regarding Archibald MacLeish, [ca. 1932]AMsS, 1 p. on 1 l.
Perhaps intended as a dusk jacket blurb, Hemingway states that anyone interested in reading great poetry as it is published and "before it becomes classic and compulsory" should read Conquistador and New Found Land. 6250-c
- Box-folder 4:54
Envelope signed by Ernest Hemingway to Edward Hotchner, 1950 July [3]D, 1 item.
6250-f
- Box-folder 4:55
Contract, 1950 April 6DS, 1 p. on 1 l.
Document empowers Edward Hotchner as Hemingway's sole representative for the adaptation of Hemingway's short story, "The Capital of the World, " into a ballet. Signed by Ernest Hemingway. 6250-f
- Box-folder 4:56
Announcements for Across the River and Into the Trees , [ca. 1950]Ds, 2 items.
6250-u
- Box-folder 4:57
Wine List to Sherry's, New York, [1953]AMsS, 1 p. on 1 l.
Composed on verso of envelope addressed to Ernest Hemingway from Charles Scribner's Sons. 6250-f
- Box-folder 4:58
Contract"> 1959 April 23DS, 1 p. on 1 l.
Granting authority and rights to Edward Hotchner for theatrical programs based on his writings. Singed by Ernest Hemingway. 6250-f
- Box-folder 4:59
Contract"> 1959 JuneDS, bound, 7 pp. on 7 l,
Ernest Hemingway authorizes Alfred Rice as the negotiator with CBS Television Network for the broadcasting of Hemingway's writings. Signed by Ernest Hemingway. 6250-f
- Box-folder 4:60
Ernest Hemingway's summer itinerary, [1959]2 pp. on 1 l.
6250-f
- Box-folder 4:61
Interview with Ernest Hemingway, n.d.TMs carbon copy with autograph corrections, 10 pp. on 10 l.
Interview conducted in Hailey, Idaho at a local school. "Only copy of interview in existence." 6250-f
- Box-folder 4:62
Various clippings regarding Ernest Hemingway, 1941-1963, n.d.
"Hemingway is on the Way to the Far East for PM, " 1941 January 31. "For Whom is that Bell for, " by Otis Ferguson, 1941 September 27 "Mr. Hemingway's Finest Story Yet, " by Dorothy Parker, [1941?] "For Whom the Bell Tolls: A Condensation of the Picture Based on the Novel, " [1943] "Notes for a Hemingway Omnibus: The pattern of His Work and Its Relation to His Life, " by Malcolm Cowley, 1944 September 23 "The Position of Ernest Hemingway, " by Ernest Hemingway and Maxwell Geismar, 1949 July 31 " Across the River and Into the Trees, " Book Review, 195[0] September 7 "Books: The Indignant Flesh, " 1950 September 9 "The Author's Name is Hemingway, " by John O'Hara, 1950 September 10 "Hemingway Portrait of an Old Soldier Preparing to Die, " by Malcolm Cowley, 1950 September 10 "'Hemingway is Bitter About Nobody' - But His Colonel Is, " 1950 September 11 "The New Hemingway, " 1950 September 11 "Talk with Mr. Hemingway, " by Harvey Breit, 1950 September 17 "Speaking of Books, " by J. Donald Adams, 1950 September 24 "Books of The Times ," by Charles Poore, 1950 September 30 "First Reviews of a New Book: Across the River and Into the Trees " from Jonathan Cape, n.d. "Across the Street and Into the Grill, " by E. B. W., n.d. "Ernest Hemingway, "[1950] "Serious Americana, " by Norah Hoult, n.d. "Fictitious? " [1950] "Books of The Times ," by Charles Poore, [1950] "Books and Things, " by Lewis Gannett, [1950] "To Have and To Have and To Have, " by Maxwell Geismar, [1950] "Parade of Books: Hemingway Writes a Farewell to Middle Age, " by James Farber, [1950] " Across the River and Into the Trees, " Book Review, Sterling North - World Telegram, [1950] "O'Hara on Hemingway: How the Reader Felt About It, " 1950 October 1 "The Critics Have Never Been Easy on Ernest Hemingway, " 1950 October 15 " Books of The Times, " by Charles Poore, 1950 October 26 "Hemingway and Steinbeck, " by Norman Cousins, 1950 October 28 "The Champ and the Referees, " by Ben Ray Redman, 1950 October 28 "A Titan to Task, " by Harrison Smith, 1950 October 28 "The Busted General, " 1950 October "When Hemingway Earned Half a Cent a Word on 'The Toronto Star,' " by Herbert Cranston, 1952 January 13 "Hemingway's Novel Has the Rich Simplicity of a Classic, " by Malcolm Cowley, 1952 September 7 "Trade Winds: Momentary Scoop, " by Laura Hobson, 1952 August 23 "Books and Things: The Old Man and the Sea ," by John K. Hutchens, 1952 August 28 "A Line to the Heart, " by Robert C. Ruark, 1952 August 28 " The Old Man and the Sea ," Book Review, 1952 August 28 "Books of The Times ," by Orville Prescott, 1952 August 28 " The Old Man and the Sea ," LIFE Magazine advertisment "Hemingway's Tragic Fisherman, " by Robert Gorham Davis, 1952 September 7 "Trade Winds: With Everybody Spewing Forth, " [1952] "The Marvel Who Must Die, " by Carlos Baker, [1952] "Old Man, " by Max Lerner, [1952] "The Old Man Lands Biggest Catch, " LIFE Magazine, 1954 November 8 Farewell to Arms movie poster, 1958 January 8 " Hemingway spettatore di una corrida a Madrid ," La Stampa , 1959 May 22 "Determined Realist, " by Mildred Adams, 1959 September 20 "The Lyons Den " by Leonard Lyons, 1959 December 28 Newspaper Images: Gary Cooper in For Whom the Bell Tolls and a scene from A. E. Hotchner's adaptation of "The Gambler, the Nun and the Radio, " 1960 May 15. "Ernest Hemingway, " [1961 July 3] "Letters from Hemingway, " by Frances Spatz Leighton, 1963 May 12 "Ernest Hemingway, the Apostle " by James T. Farrell, n.d. "The Lyons Den: Lunch at Papa Hemingway's, " by Leonard Lyons, n.d. "The Current Cinema: Fish Story, " n.d. "Letters to the Editor, " New York Times Book Review, n.d. "Americans in Paris, " by Janet Flanner, n.d. Scene from "The Fifth Column, " with Richard Burton and Sally Ann Howes 6250-u
- Box-folder 4:63
Portrait of Ernest Hemingway by Henry Strater, [ca. 1922]1 framed painting.
Includes copies and variations of portrait. Oversize Box F-2. 10247
- Box-folder 4:64
Ernest Hemingway, [ca. 1926]photograph on postcard, 1 item.
7267-a
- Box-folder 4:65
Ernest Hemingway, 1928 March 61 photograph, signed.
Inscribed: "To Charles T. Scott with all best wishes from his friend." 6250-c
- Box-folder 4:66
Ernest Hemingway, hunting and fishing, [ca. 1928]3 photographs.
Originally enclosed in correspondence from Waldo Peirce to Harry Saltpeter, 1936 June 7. Photocopy of correspondence included. 8402
- Box-folder 4:67
Portrait of Ernest Hemingway from magazine, [ca. 1928]1 item.
With brief description of his literary fame. 6250-c
- Box-folder 4:68
Ernest Hemingway, [ca. 1929?]1 photograph, signed.
Inscribed: "To Charles Thomas Scott with all best wishes." 6250-c
- Box-folder 4:69
Ernest Hemingway, 1933, 1937, n.d.,3 magazine photographs.
[1] "Ernest Hemingway presents fourteen vivid storied in 'Winner Take Nothing,' " mounted. (ca. 1933)
[2] "Hemingway (1937), "mounted.
[3] Hemingway at typewriter, n.d. Photograph courtesy of New York Public Library Picture Collection.
- Box-folder 4:70
Ernest Hemingway, 1934-1959,
Includes original envelope enclosing photographs for E Hemingway.
Hemingway being interviewed on board the Paris, April 3, 1934; Stork Club Victory Dinner after the 'battle with Max Eastman' August 13, 1937 (with Dave Smart, Sydney Franklin, and obscured John O'Hara); Hemingway with Martha Gellhorn at Stork Club, November 1940; Hemingway with Mary on the Flandre, June 24, 1953; Hemingway at interview on the Liberte, November 2, 1959; Hemingway at interview on the Liberte, November 2, 1959; Hemingway with Dean Stockwell, the actor on Liberte, November 2, 1959 10208-b
- Box-folder 4:71
Ernest and Pauline Hemingway on ship, [ca. 1935]1 photograph.
Photographed for Vanity Fair by Hoyningen-Huené. Clipped from Vanity Fair. 6250-c
- Box-folder 4:72
Ernest Hemingway with Bronislaw Zielinski, 1958 November1 photograph
6250-g
- Box-folder 4:73
Ernest Hemingway squatting by kill, n.d.1 clipping,
6250-c
- Box-folder 4:74
Ernest Hemingway with Myrna Loy, William Powell, and Luise Ranier at Paramount Pictures, n.d.1 photograph.
6250-w
- Box-folder 4:75
Ernest and Mary Hemingway, n.d.20 photographs
Mary Hemingway standing on stairs; Ernest and Mary; Mary holding dog (one 5x7; one 3x4); Ernest reading a newspaper; Ernest at a party, in background; Ernest next to car with unidentified man (one 5x7; one 3x4); Ernest reading paper outside with dog; Ernest standing indoors without shirt (two copies); Ernest at party holding fireman helmet upside down; Portrait of Ernest, close up; Ernest and Mary at fish market; Ernest opening gifts at birthday party with Mary and two other women; Ernest, facing away, at party; Ernest boxing by himself next to pool; Ernest swimming in pool; Ernest at party with fireman helmet and holding drink; Full portrait of Hemingway in front of his house (two copies) taken by A.E. Hotchner. 6250-i
- Box-folder 4:76
Ernest and Mary Hemingway, n.d.29 photographs
Mary with numerous cats (three 5x7 copies; one 3x4 copy); Ernest with gored bullfighter (three copies); Ernest standing with Spanish general with two men behind them (two copies); Ernest sitting next to lion skin and cat; mountains in background (two copies); Mary with cats; Ernest with mountains in background; Ernest with mountains in background, close up (three copies); Ernest with Ava Gardner and Luise Miguel Dominguín practicing with cape (5x7 and 3x4); Ernest and Mary walking down stairs; Ernest and Mary with another couple; Ernest with an unidentified woman (four copies); Ernest and Mary standing, with dog; Ava Gardner and Luise Miguel Dominguín at lunch table; Hemingway, outside, looking over stream; Ernest and Mary on stairs, with unidentified woman in foreground; Large crowd in Spain(?) 6250-i
- Box-folder 4:77
Ernest and Mary Hemingway, n.d.20 photographs
Ernest in hunting gear cleaning glasses (2 copies); Outdoor party (Hemingway's 60th birthday party?); Ernest and Mary pulling on wishbone; Ernest signing autograph at bullfight (4 copies); Ernest in car with unidentified woman; Ernest and Mary talking to unidentified man at picnic; Ernest and Mary looking at rocks; Ernest and Mary with two unidentified men preparing food on a hunt (three copies); Mary climbing over a barbed-wire fence; Ernest playing a record (two copies); Ernest watching Spanish dancers; Head portrait of Ernest (two copies) 6250-i
- Box-folder 4:78
Ernest and Mary Hemingway, n.d.14 photographs
* Ernest and Mary with unidentified couple in Southern France * Mary with unidentified couple in Southern France * Mary at farm with young Italian writer living with Ernest and Mary * Two cats * One cat * Unidentified boy on horse * Large crowd in Spain * Ernest outside stone door opening * White dove house * Mary outside by stair railing * Mary on farm * Cat playing with rope * Mary in doorway with cats * Mary next to wall in bull ring 6250-i
- Box-folder 5:1
Ernest and Mary Hemingway, n.d.26 photographs
* Outside of castle; no people * Ernest and Mary entering castle with unidentified couple * Ernest and group looking out from top of castle * Ernest and unidentified woman walking along river * Ernest sitting with two men on park bench * Ernest and Mary * Ernest with unidentified woman * Ernest with unidentified man in front of gated entrance * Ernest reading plaque * Cats on balcony * Cats * Bird * Mary with small dog * Ernest walking on path * Unidentified woman looking over high railing * Butcher in butcher shop * Mary with unidentified couple * Bird flapping wings * Two cats walking * Cat walking; cat sitting * Mary with bird in her hands * Mary with small dog * Mary in "cattle lean-to" on her farm * Mary putting bird on ground * Mary kneeling with cats * Mary playing with young cow 6250-i
- Box-folder 5:2
Ernest, Mary Hemingway, Ava Gardner, and Luise Miguel Dominguín, n.d.17 photographs
* Ernest in Nimes coliseum * Ernest hunting with three other men * Ernest with unidentified couple * Italian writer staying with Hemingway's, with cat * Mary with housekeeper's son on horse * Ernest with Ava Gardner * Ernest, Luise Miguel Dominguín, and Ava Gardner toasting at outside dinner; Mary in background * Ernest in front of mountain range * Ernest with Ava Gardner * Ernest in large group, including Mary, Ava Gardner, and Luise Miguel Dominguín * Bullfight practice (3 individual shots) * Ava Gardner with unidentified man drinking wine * Ernest in bull ring * Ernest, Ava Gardner, and Luise Miguel Dominguín * Scene from a bullfight 6250-i
- Box-folder 5:3
Bull-fighting practice,> n.d.25 photographs
6250-i
- Box-folder 5:4
Bull-fight, n.d.14 photographs
6250-i
- Box-folder reel: 5:5
Hemingway, hunting and fishing, n.d."In Their Time "Exhibit Material
* Ernest with killed lion * Ernest squatting next to hornsof three killed animals * Ernest with large marlin in boat * 3 images of Ernest next to large marlin on dock
- Box-folder 5:6
Ernest and Mary Hemingway, n.d.4 negatives
* Ernest and Mary on boat * Ernest and Mary on boat * Mary in garden * Mary with cat in her arms 6250-i
- Box-folder 5:7
Ernest and Mary Hemingway, Adriana Ivancich, and others, n.d.10 proof sheets
* 35-181-A: 28 shots of Ernest, Mary, and other individuals in Spain (2 copies) * 35-181-B: 28 shots of Ernest, Mary and others out West (2 copies) * 35-181-C: 30 shots of Ernest and Mary hunting and sightseeing (1 copy) * 35-181-D: 20 shots of Ernest in Mary out West and in Europe (1 copy) * 4 shots of Adriana Ivancich (the model for Renata in Across the River and Into the Trees) * 4 shots: Adriana Ivancich; Ernest with Adriana; Ernest with unidentified man; Mary in front of bridge * 3 shots: Ernest, Mary, and Adriana Ivancich; Ernest with owl; Ernest with Spanish general * 4 shots: Hemingway in front of castle (2 views); Hemingway with three other men; Mary and unidentified man on farm 6250-i
- Box-folder 5:8
Scene from "The Killers, "[ca. 1956]1 photograph.
6250-i
- Box-folder 5:9
Ernest Hemingway and Martha Hemingway, n.d.3 photographs
Photographs by Robert Capa. * Ernest Hemingway at Sun Valley on a shooting trip taking a drink. * Ernest Hemingway holding a jack rabbit he killed (only to help farmers; doesn't eat). * Martha (Gelhorn) Hemingway soon after marriage seated on bed reading letter, ca. 1940 December. 6250-e
- Box-folder 5:10
Ernest Hemingway and Martha Hemingway, n.d.Physical Location: Oversize W-56 photographs
Photographs by Robert Capa. Ernest Hemingway and Martha (Gelhorn) Hemingway at Sun Valley on duck shooting trip -- Ernest Hemingway with ducks he killed. -- Ernest Hemingway waiting to shoot a duck. -- Ernest Hemingway shooting a duck. -- Ernest Hemingway and Martha (Gelhorn) Hemingway at Sun Valley in a house. -- Ernest Hemingway seated, writing. 6250-e
- Box-folder 5:11
"Don Ernesto in Pamplona, " n.d.1 item.
Original belongs to Mrs. Henry Louis Cohn. May not be reproduced without her permission. "In Their Time "Exhibit Material
- Box-folder 5:12
Watercolor portrait of Ernest Hemingway by Alice Frymir, n.d.Based on photograph by Yousuf Karsh. Oversize box F-19
Folder 13. Ernest Hemingway with others, n.d., 34 slides. 6250-i Slide 1: Ernest next to Palm Tree; Slide 2: Ernst on steps of church; Slide 3: Ernest in front of "Reptile Garden"; Slide 4: Ernest stepping into pool; Slide 5: Ernest swimming in pool; Slide 6: Ernest with unidentified man and woman; Slide 7: Ernest looking at book rack; Slide 8: Ernest by fountain; Slide 9: Ernest near ruins; Slide 10: Ernest near ruins; Slide 11: Ernest with mountains in background; Slide 12: Ernest with unidentified man; Slide 13: Ernest in garden with two men; Slide 14: Ernest at pool with man and woman; Slide 15: Ernest sitting with two women; Slide 16: Ernest at garden party; Slide 17: Ernest at garden party; Slide 18: Ernest sitting with two women and one man; Slide 19: Ernest with woman and another couple; Slide 20: Ernest at garden party; Slide 21: Ernest at pool with woman; Slide 22: Ernest at pool with woman; Slide 23: Ernest walking with package in hand; Slide 24: Ernest at "New Mexico Reptile Garden"; Slide 25: Ernest(?) in distance on bridge; Slide 26: Ernest(?) in field with cow; Slide 27: Ernest(?) in field with cow; Slide 28: Ernest with unidentified man; Slide 29: Ernest with unidentified woman; Slide 30: Ernest at pool party; Slide 31: Ernest in snow with unidentified man; Slide 32: Ernest with woman sitting on fence with mountains in background; Slide 33: Ernest arm in arm with unidentified man; Slide 34: Ernest swimming in pool with woman. 6250-b
- Box-folder 5:14
[untitled] n.d.16mm color film, silent.
Ernest Hemingway in Cuba.
DVD available for public use in Robertson Media Center.
Film F-157; videotape VC-18. 6250-i
- Box-folder 5:15
Recordings of Ernest HemingwayP-520 through P-525.
6250-f
- Box-folder 5:16
"Hemingway: A Portrait in Sound, "2 sound discs
P-607: Two 12-inch disks. 6250-l