Guide to the North American 19th century theatre broadside collection, 1850-1867 C0081 North American 19th century theatre broadside

Guide to the North American 19th century theatre broadside collection, 1850-1867 C0081

North American 19th century theatre broadside


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George Mason University. Libraries. Special Collections Research Center

Fenwick Library, MS2FL
4400 University Dr.
Fairfax, Virginia 22030
Business Number: 703-993-2220
Fax Number: 703-993-8911
speccoll@gmu.edu
URL: https://scrc.gmu.edu

FINDING AID AUTHOR

Repository
George Mason University. Libraries. Special Collections Research Center
Identification
C0081
Title
North American 19th century theatre broadside collection 1850-1867
URL:
http://sca.gmu.edu/finding_aids/
Quantity
2 Linear Feet
General Physical Description note
(1 box)
Creator
George Mason University. Libraries. Special Collections & Archives
Language
English .
Abstract
This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues.

Administrative Information

Use Restrictions

There are no restrictions.

Access Restrictions

Collection is open to research.

Preferred Citation

North American 19th century theatre broadside collection, Collection #C0081, Special Collections and Archives, George Mason University Libraries.

Acquisition Information

Purchased in 2008.

Processing Information

Processed by Kate Norman. EAD markup completed by Kate Norman in April 2010.


Historical Information

Since the eighteenth century, theatre-going in Boston has been quite popular, even if not entirely legal. In the eighteenth and nineteenth centuries, Boston was in conflict between a Puritan history and artistic freedom. Theaters often used non-controversial or misleading names (such as the Boston Museum) to partially disguise their identity as a theatre. However, this struggle between religious and artistic ideas lasted into the 20th century.

Theatre in Boston flourished throughout most of the nineteenth century despite this ongoing feud. Smaller playhouses led to more prominent theatres such as the Boston Theatre (1854-1925), Boston Museum (1841-1903), and the Howard Anthenaeum (1845-1953). These major theatres were generally located close to Boston's commercial center and the Beacon Hill residences of affluent theatre attendees.

Scope and Content

This collection contains around 100 theatre broadsides from the mid-nineteenth century. Nearly all of the broadsides were published in Boston, advertising theatre, opera, and lighter fare in various Boston venues. Other locations include venues in New York and Canada. The collection contains an estimated forty broadside bills for performances at the Boston Theatre between 1954-1958, thirty for performances at the Howard Anthenaeum between 1951-1957, twenty at the Boston Museum in 1952-1958, and others at the Boston National Theatre, the Boston Academy of Music, and City Hall.

Most of the broadsides measure approximately 7" x 19", with some variation, and feature classic nineteenth-century typography with artful fonts and little pointing hands. Some of the broadsides are also accompanied by interesting graphics along the margins. The collection includes ads for such varied bills as Adelina Patti in Donizetti's Lucia Di Lammermoor; G.G. Spear in the drama, Moll Pitcher! The Fortune Teller; a Pyne and Harrison Opera Company production of Rip Van Winkle; and a drama by Dion Boucicault and E. H. House titled Arrah-Na-Pogue! Or, the Wicklow Wedding, which advertises segregated seating for blacks and warns that women will not be admitted if unaccompanied by a man.

Arrangement

Organized mainly by venue. Some single broadsides grouped together.

Missing Title Series 1: National Theatre of Boston, 1850-1857 (Box 1) Series 2: Boston Museum, 1852-1858 (Box 1) Series 3: Boston Theatre, 1854-1858 (Box 1) Series 4: Howard Anthenaeum, 1851-1857 (Box 1) Series 5: Boston Academy of Music, 1860 (Box 1) Series 6: Canada and New York City, 1855-1867 (Box 1) Series 7: Boston and New York City, 1850s-1860s (Box 1)

Related Material

Special Collections and Archives also holds many other theatre collections.

Subjects and Indexing Terms


Significant Places Associated With the Collection

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Container List

Series 1: National Theatre of Boston Broadsides
1850-1857
Scope and Contents note

This series contains six broadsides of performances at the National Theatre of Boston, ranging from 6"x15" to 7"x21".

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Series 2: Boston Museum Broadsides
1852-1858
Scope and Contents note

This series contains twenty broadsides of performances at the Boston Museum, ranging from 9"x12" to 7"x20".

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Series 3: Boston Theatre
1854-1858
Scope and Contents note

This series contains thirty-six broadsides of performances at the Boston Theatre, ranging from 7"x18" to 6"x24".

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Series 4: Howard Anthenaeum
1851-1857
Scope and Contents note

This series contains nineteen broadsides of performances at the Howard Anthenauem in Boston, ranging from 7"x12 1/2" to 7 1/2"x20".

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Series 5: Boston Academy of Music
1860
Scope and Contents note

This series contains one broadside of performances at the Boston Academy of Music, 5 3/4"x11 3/4".

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Series 6: Canada and New York City
1855-1867
Scope and Contents note

This series contains six broadsides of performances at St John's Dramatic Lyceum in Canada, Mechanic's Institute in New York, Wallack's Theatre in New York, Metropolitan Theatre in New York, Burton's in New York, and Lorimier Hall. Size of broadsides range from 7 1/2"x16 1/2" to 6 1/2"x22 1/2".

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Series 7: Boston and New York City
1850s-1860s
Scope and Contents note

This series contains four broadsides of performances at City Hall in Boston, Niblo's Garden in New York, and performances by the Kimball Dramatic Association at City Hall in Boston. Size of broadsides range from 5"x8 1/3" to 6 1/2"x14".

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